Kristof Gerega

Johannes is a loner who wants a better job. And then he meets Ana. Ana is attractive and even though her job is even less prestigious than Johannes's, he falls for her. And then she quits her job to be with him (and be dependent on him) and suddenly things become much more serious. She has fallen for him. But does he still love her? Did he ever? Enter Sarah. Sarah is the daughter of Johannes's boss. He and she have a past. Will Sarah and what she represents be his future, and Ana just a memory, something he'd like to erase?

Germany, 1967. Ruby & Martin, a young couple, are rehearsing their uprising. The price is high: expulsion from school, parental violence, and ultimately institutionalization. But they are ready to take on the cause of love.

When his daughter goes missing in an apparent alien abduction, Gabriel's search takes him dangerously close to her strange group of so-called friends. But the further he goes inside their computer game and fantasy-obsessed world, the more he realises that he must confront his own difficult memories if he is to get his daughter back.

OILFIELDS MINES HURRICANES is a road-movie, in which the classical concept of that genre - the quest for and the fixation of the own identity - is lead ad absurdum: Salpa, the traveler, experiences a corrosion of his all-along-multiple identity. This is already founded within the production: 18 authors have taken turns writing the screenplay. The amount and sequence of the scenes correlate with John Cage's organ piece As Slow As Possible. The performance venue of that piece, Halberstadt, is the apparent destination of Salpa's journey. But, arrived, no redemption is waiting...

When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create sounds for a commercial featuring a horse, and then a horsetail starts growing out of her body. Empowered by her tail, she lures a botanist into an affair, through a game of submission. Piaffe is a visceral journey into control, gender, and artifice.

In a society of abstract figures, 1000 people live imprisoned in an immense space, distinguished by their social class, like a hive of bees. Their ultimate goal is to produce light, but only one will be able to! 1000 Kings is a conceptual and innovative animation, a poetic meditation on the origins of the universe with a geometric approach and psychedelic colors, inspired by both Western and Eastern mythologies.