Cathy O'Donnell

Siluria, Alabama, USA

Biography

Cathy O'Donnell (July 6, 1923 – April 11, 1970) was an American actress, best known for her many roles in film-noir movies. While under contract with Samuel Goldwyn, O'Donnell made her debut in an uncredited role as a nightclub extra in Wonder Man (1945). Her first major role in The Best Years of Our Lives (1946), playing Wilma Cameron, the high-school sweetheart of double amputatee Homer Parrish, played by real-life World War II veteran/amputee Harold Russell. She was loaned out to RKO for one of her most memorable films, They Live by Night (1949) starring with Farley Granger, widely considered a classic of the noir genre and on the Guardian's list of the top ten noir films. The film was directed by Nicholas Ray. The two actors later re-teamed for another movie, Side Street (1950). Later O'Donnell starred in The Miniver Story (also 1950), as Judy Miniver and also had a supporting role in Detective Story (1951). She appeared as Barbara Waggoman, the love interest of James Stewart's character in the western The Man from Laramie (1955). Her final film role was the title character's sister Tirzah in William Wyler's 1959 Academy Award winning Best Picture Ben-Hur (1959). In the 1960s, she appeared in TV shows, playing mostly bit parts on shows such as Perry Mason, The Rebel and Man Without a Gun. Her last screen appearance was in 1964, in an episode of Bonanza. Description above from the Wikipedia article Cathy O'Donnell, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955