Alfredo del Diestro

Colonel Carrasco's wife Marta leaves him taking his young son. The child, Juan, grows into an admirable and well-mannered young man. Having been promoted to a higher rank of power amidst the Mexican Revolution, the indulgent and corrupt Colonel accepts a bribe to free a revolutionary, Felipe Martinez, from his prison. Martinez has been sentenced to execution at the hands of a firing squad. Carrasco asks to have the revolutionary replaced by absolutely anyone. In a twist of fate, that anyone turns out to be his own long lost son Juan. Upon receiving this news, Marta races to the prison and explains the predicament to Carrasco. He subsequently desperately attempts to prevent the gunning down of his son by his very own government officials.

Aging bank-teller gets mixed up with a nightclub singer.

In the midst of the Mexican Revolution, the landowner Mendoza manages to get along with both the government and the revolutionary group. For the former, he is a supporter of Huerta. For the latter, he is a Zapata supporter. Depending on the political preference of whoever visits him at his hacienda, he has portraits of Huerta or Zapata put up, and organizes a party in honor of his visitors. However, time goes by and the situation becomes untenable. For whom will he take sides?

Every passenger boarding The Express has a story.

A 1942 film directed by Miguel M. Delgado.

A 1940 film directed by Robert Quigley.

Lives of the tenants in a shabby-genteel apartment house. Miserly landlord learns valuable life lessons.

Sor Juana Inés de la Cruz

The story of Mexican President Benito Juárez and the emperor Maximilian of Habsburg and the empress Carlota.

Adios mi chaparrita

Adam, Eve and the Devil

Dazzled by the Empress Carlotta's graciousness, magnanimity and charm, a young officer in the Mexican army switches his allegiance to the Imperial government with Maximilian as figurehead. Bad move, space cadet.

A 1933 film.

La noche del pecado is a Mexican and North American co-production directed by Miguel Contreras Torres with Ernesto Vilches, Ramón Pereda, Medea de Novara and produced by Contreras Torres in 1933.

Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.

A 1940 film directed by Fernando de Fuentes.

Child whose father was murdered grows up and seeks revenge, also falling in love with a new victim of the same bad guy.

Hombres del aire

Those who dance

Young man goes to Mexico City in search of opportunity and gets framed for another person's embezzlement at their place of employ. Meanwhile, back home, his fiancée the blind woman...

Two military goons slaughter a young man's parents and siblings. A few years later, the same guys rape and murder his wife, then use their young son for target practice. Enough is enough.

While tracking down the three men that killed his father, a notorious bad-ass commits other misdeeds, seemingly based on his desire to wreck as many lives as possible. Doesn't really have anything to do with the historical figure known as Remington, though they used his name for the character here.

Biography of early-1800s Mexican priest/statesman.

During the Mexican Revolution, the people tired of living in poverty and enduring the atrocities committed by the federals, decide to follow one of their own, General Demetrio Macias, a thief with tricks he learned in jail and who along with "La Pintada" decides to take his people to victory. Led by Captain Anastacio Montañez, the newly formed army fight and honor their code at the same time as they loot houses to spread the wealth.

María tells the tragic love story of María, a beautiful young woman, and her half brother Efraín, a handsome young man from Valle del Cauca. They both fall in love and live their romance on the farm "El Paraíso", in Valle del Cauca, but not everything is rosy, since Efraín must go to Bogotá because of study reasons leaving María with pain in her soul. Some time later, María becomes ill and Emma tells her brother about the situation.

Llorona is a figure unique to Mexican folklore -- the wailing spirit of a woman who lost or killed her child and now returns to seek revenge and haunt the living. With its framing story and flashback structure, this film sets forth a couple of variations of the story.

Law of the Harem