Gino Cavalieri

Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.

Niccolò Vivaldi is a cello player and he plays in Arena di Verona Orchestra. But he is not the first and neither the second cello. He is frustrated. Nobody can remember his face, nor his name. Niccolò is married to Costanza, who is really beautiful and he takes some pictures of her naked. Later he shows the pictures to a friend and so he feels better. He starts to write a comic opera called "Il merlo maschio" only to discover later he had written Rossini's "La gazza ladra". To maintain his self-esteem he can only show his wife...

Bonifacio is 27 years old and he is roaming about Venice. He is trying to decide whether to accept a job or not. In so doing, he recalls all his past life: his love story with Gabriella, his old friend Claudio, who had always regarded working as a worthwhile thing, the war, the partisans.

Discovering her boyfriend is married, a young lady attempts to take her life, pausing only to phone a Help Line. Finding herself very much alive in hospital she meets the priest who took the call and, much taken with him, she starts trying to date him. He in turn succumbs to her charms and they soon realise their major problem is his Holy vow of celibacy.

Art professor Nino Rolfe attempts to break down his wife Teresa's conventional modesty. Noticing her affection for their daughter's fiancé, Nino instigates her sexual interest in him - setting off a chain of unexpected events and emotional complications...

Sandro is a Roman adrift in Venice during Carnival. As he enters midlife, he argues with his wife of sixteen years more often than they laugh or make love. She's had enough of his moods, so they separate so he can sort out his mind. His first night away, he sees a photograph of a nude; the image resembles his wife. He searches for the model, whose name is Riri. He finds her, and she looks exactly like his wife, except that Riri is a gaily attired prostitute and Laura is a self-contained antiquarian bookseller. Are they two women, are they one, and in the masquerade of Carnival, what is real?

Vivere in pace is a 1947 Italian comedy-drama war film directed by Luigi Zampa.

A satire of the Cold War, Italian style. Soviet flunkey Boris Popovitc is sent on a goodwill mission to Rome, where he is to deliver a symbolic dove of peace to a group of WW II freedom fighters. Somehow, Boris winds up in Venice minus the dove. As he searches up street and down canal for the missing bird, he meets and falls in love with luscious flower-girl Maria.

Marco and his son Toto work in a Venetian gondola yard and maintain the old traditions of gondoliers. When a newly-arrived businessman decides he wants to buy the yard and demolish it, Marco and company want to fight to preserve their way of life. The businessman, however, knows Marco is badly in debt and uses this to try to leverage Marco out of business. Can tradition win out in the face of naked commercialism?

Giovanni used to be a humble, mild-mannered government clerk whose life was turned upside down when he met Giulio, a notorious forger who at once set about manipulating the over-confident man. Giovanni did what he should never have done: he associated himself with the crook. Giulio soon laid hands on Giovanni's money, ruined his career and manhandled him into marrying his own mistress, the beautiful Ginevra. It was of course an unhappy marriage but Giovanni found a little solace when his son Ciro was born. Seven years later though, Wanzer resurfaced...

Jean Valjean, pursued through the years for a minor infraction by the implacable policeman Javert, attempts to create a life for himself and for his adopted daughter Cosette amid the revolutionary struggles of France.

The story of Jean Valjean, still pursued by Javert, continues with a love developing between Cosette and radical student Marius, a blackmailing attempt by suspicious innkeeper Thenardier, and a climax on the barricades of Paris.

A ruthless businessman wants to bring a penniless nobleman financially on his knees because he wants to marry the man's daughter. It is the family chauffeur who puts things right.

During Fascism and after WWII, a school porter sacrifices himself so his son, who is slightly ashamed of a lowly background, can become a respected professor.The film also takes a few jabs at Italy's rapid governmental reshuffles.

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Nina, non far la stupida

Following World War II, the Allies designate that an unidentified town in the Trieste area as being partly Yugoslavian and partly Italian. A white line of demarcation splits the town in half and the townspeople are given just a short time to decides on which side of the line they will live. This leads to the dividing of homes, friends, families and the church and tensions run high.

A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing it, she starts a people's movement, and leads a march to the capital. She returns to her village a winner, an honourable MP. Yet, she is still the same simple, fiery woman, able to get in a hair-pulling brawl with the local barmaid for the affection of her man.