Drie weken huisknecht
Hein Slotter, unpopular director of a pram factory, reluctantly agrees to celebrate his 25th anniversary. His only wish is that his successor and mentor, Slieps, gives a speech. Unfortunately Slieps is quite senile and only occasionally has a bright moment. Meanwhile, the party committee learns of a rumor concerning Slotter's younger days and plans to embarrass him during this festive occasion.
Still coming to terms with the death of her mother, Willy Verhulst loses her father as well -- just as she is about to sit her final exams. She manages to pass, and as she is trying to find a job she remembers a young man she met in the hospital. The boy, Herder, works for a radio station and gives her a job as a secretary.
“Ciske de Rat” belongs to the Dickensean “little man’s hard life” model and tells a deceptively simple story about a boy in modern Netherlands. Persecution, loneliness, adults’ hostility, fear, mixture of obstinacy and tenderness, and even an imprisonment. Excellent camera movement and delicate portraying of Ciske’s fragile soul put this film out of merely historical context and ensure its place in the history of great cinema.
Judy Aalders grows up in an orphanage. Albert Woudenberg happens to be present when Judy confronts the trustees of the orphanage and is expelled. He decides to send her to university and Judy, who has only ever seen his shadowy long legs, refers to him as 'Daddy-Long-Legs' from that day. Not knowing he is in fact her benefactor, Judy's relationship with Albert gradually turns into love.
This government commissioned film -- made on the occasion of the forty year anniversary of queen Wilhelmina's reign -- chronicles the lives of two Dutch families from 1898 to 1938 against the backdrop of the social and political events of the times. It shows the emergence of trade unions, the troubled years of the First World War, the development of aviation and Schiphol airport, the Dutch East Indies and the lives of the Dutch royal family.
Eight newspaper-columns by Dutch writer Simon Carmiggelt were turned into a film in honor of his 70st birthday.
The seemingly quiet lives of elderly Ottilie Dercksz and Emile Takma are dominated by remorse for a terrible crime they committed sixty years ago. When a family member arrives from the East Indies, their families are forced to deal with the ghosts of the past.
