Emma Vilarasau

The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before 'they' kill her. Other mysterious clues show up, further indicating that Claudia's daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela's whereabouts

Adrian (Leonardo Sbaraglia) is a young man who has spent years running away from himself, constantly changing city and work, looking for people to relate to the least possible and all for one reason: he has the ability to see things that have not yet occurred, is a precog. He learned it when he anticipated the death of his parents and could not do anything about it. Adrian tries, unsuccessfully, to flee from his gift

Irene lives with Mateo, his father, and her son David, 22 years old. Living together is harmonious and happy, but there is a conflict: David, a brilliant student of architecture, has decided to go and live with his girlfriend Clara, a supermarket cashier. Despite its liberal way of thinking, Irene cannot understand such an unequal relationship. However, David finds in his grandfather the necessary complicity to carry out his plans. Mateo is a old and vital octogenarian despite his tough history: he was a child during the Spanish Civil War (1936-1939), and he lost his house and all his family. But none of that could finish with his energy and desire to live. One day, however, Mateo arrives with terrible news.

Alex,Gabi and Oki, three teenagers living in a big city, are completely unknown to their parents, to their teachers and for themselves. Their emotional isolation, led to the limit, will have unexpected and terrible consequences that will shake society.

Spain, fifties. In a town grew around a living factory Jorge (Tristan Ulloa), the youngest son of the founder, and Elisa (Laia Marull), daughter of accounting. The two live with their families and are able to endure the monotony of their lives because they spend the afternoon on Wednesdays and Saturdays at a hotel in the city. This secret life together is essential for both. The small room in the city where encounters occur has become the only place where they can be themselves. That little space, a little sinister, find it more cozy, warm and near the home of Elisa gorgeous, spoiled by the mother, or the great house of George, full of family memories. Both are aware of the type of relationship they have created, and not demand more. Until Elisa decides to break the rules.

Marga, a well-known television presenter, organizes a dinner with old friends from boarding school to which he has not seen for 30 years. But the meeting hidden other motives. Marga projects an old super 8 film shot where they can guess the murderer of a friend by one of the dinner guests. After a night of surprises and serious accusations, the truth comes out.

Claudia lives happily married with an architect and is part of a rich family of builders. In a children's party going on an apparently unrelated to it: a clown found hanged.

Victor and Gloria entry workers form a relatively stable marriage. But one day Victor loses a leg due to an accident, granting him permanent disability. Consequently, his life changes and, among other things, the relationship with his wife deteriorates progressively.

La fossa

La febre d'Or

TV Movie, nominated for the Gaudí, which adapts the eponymous play written by the playwright Pere Riera. Tense battle in front and behind the cameras between a journalist and a politician. This is not a work on politics. Nor is it a story about journalists. It is not a reflection on the always convulsive relations between the media power and the administration. "Desclassificats" shows us the meeting of three characters with very opposite points of view on ethics, professional integrity and dignity of the individual.

Geltra and Pau don't know each other, she's 23 and tired of all the experiences she's gone through. He's 19 and just left home not knowing where to go or what to do. They will meet in this road trip while heading to a place in Delta de l'Ebre called "Casa Blanca".

Sisè primera

Montse is very excited because she is about to spend a weekend with the whole family at her house in Cadaqués, on the Costa Brava. She has been divorced for a long time, her ex has a new partner, her children have grown up and have been living her life for a long time without paying any attention to her, but nothing and no one will be able to upset Montse's spirits; She has been waiting for this moment for too long, too long that she has dreamed of him: this weekend will be an ideal weekend... even if she has to burn everything to do so.

Majoria Absoluta

Ventdelplà

Mirall Trencat

Crims

'To be or not to be' tells the story of Joel, a 16-year-old trans teenager who dreams of becoming a great performer, while also facing the emotional challenges of his recently begun transition. It is a naturalistic series that addresses a highly current topic without prejudice and sheds light on the experiences of a group unknown to many or poorly understood by others. It aims to be a transformative series, which gives visibility and naturalizes with freshness and humor the ever-widening range of identities and gender expressions of today's young people.