Bharat Bhushan

A dying man entrusts his lives earnings to Purshotam, a stranger he just met, and asks him to promise to take this money to his wife, and son, Pradeep, in a remote village in India, to which Purshotam agrees. The man passes away, and Purshotam goes to fulfill his promise, in vain though, as he is unable to trace the woman and her son. After sometime he experiences financial difficluties, and decides to use the money for his personal gain. Years later he comes to know of the rightful heir to these monies, but will he able to assert his honesty, or will he carry on as though nothing has happened

Gauri is unable to conceive and is made fun of in the village. Everybody believes that she is cursed and stays away from her. Gauri prays to Goddess Santoshi Maa to bring back happiness into her life.

Born with a silver spoon in his mouth, and a peg of brandy instead of a glass milk, Vicky Kapoor, the only son of multi-millionaire industrialist, Amarnath, grows up to be an alcoholic, albeit with a good heart. Amarnath has detached himself completely from Vicky s life, and provides him money in lieu of affection and care, living this to be taken care off by Munshi Phoolchand. Vicky is very resentful of being ignored by his dad in this manner, and leaves no stone unturned to mock and belittle him at every available opportunity. Amarnath hopes to get his son married, but Vicky loves the daughter of a poor blind man, Meena, which is not acceptable to Amarnath. One day Amarnath decides he has had enough and decides to turn Vicky out of his house. He has him sign waivers, and asks him to get out, which Vicky does so. While Vicky is relieved of being freed from his dad s control, the question remains that with no skills at making a living, how is Vicky to survive in a cold-hearted world

Amrit's generosity and kindness initially lands him in the bad books of a dancer; then in prison; and then as false son-in-law of a very wealthy man.

A young singer, in the time of Emperor Akbar the Great, sets out to avenge his father, killed in a disturbance near the house of a member of the Court.

Shunned by his parents, brought up by a Poojary, nursed by a cow, Dhyanu Bhagat grows up performing miracles, curing the ill, and singing the praise of Devi Maa Durga. He faces many opponents, including Satish, who believes that Dhyanu is wooing his fiancée, Paro. After witnessing Mughal troops' desecration of the Devi's Mandir, Dhyanu's biggest challenge will come from none other than Shahenshah Akbar himself who will ask him to convert to Din-i-Ilahi.

Fate leaves Chandni shattered as her love Rohit disappears from her life. She meets Lalit and they befriend each other until Rohit knocks on her door.

This movie depicts the life of once wealthy poet and nobleman Mirza Ghalib. This story portrays his trials, tribulations, triumphs, and ultimate descent to poverty, and then to prison; and his tragic and ill-fated love with a beautiful courtesan named Chaudhvin.

Anand Math is a 1952 Hindi patriotic-historical film directed by Hemen Gupta, based on Anandamath, the famous Bengali novel written by Bankim Chandra Chatterjee in 1882. The novel and film are set in the events of the Sannyasi Rebellion, which took place in the late 18th century in eastern India, especially Bengal.

Nastik is a story about an atheist named Shankar. His childhood incident and memories have turned him into a non-believer and a thief, by profession, who is out to seek revenge for his father's death by a man with one glass eye.

After falling in love with a girl seeking shelter in a rain, he goes to find the girl. Includes the classic song Yeh Ishq Ishq Hai

A family's palatial lifestyle and estate are stolen from them in an attempt to frame them for a crime they did not commit.

Lakhan, an evil dacoit kills Shoor Veer Singh while robbing a royal locket that conceals a map to the treasure. Years later, Singh's son along with Sangha and Danny set out to save the treasure.

A kingpin smuggler kills a police officer and succeeds in separating his teen-aged sons. The elder son who had vowed to take revenge, accidentally meets his younger brother. The two join forces to bust the smugglers gang.

Sanjay (Govinda), an honest police officer, is determined to bust the crime world which has taken over the city. Criminals have made a mockery of justice. His father (Shashi Kapoor), a senior police officer himself, makes heroic efforts in the fight against crime and initially arrests kingpin Jagannath, but winning the battle does not win the war. Sanjay feels fed up and goes after Jagannath himself. He quits the police department and becomes a vigilante, losing his girlfriend in the process. Can he win back his girlfriend and his mother's love in his fight for justice?

Gangaa Jamunaa and Saraswathi the most pious rivers, create a unique holy merger, popularly known as "Sangam". Likewise the characters of our story Gangaa Jamunaa and Saraswathi desire to meet and merge in love of each other. Gangaa Jamunaa begin to love each other and pledge to become one, Saraswati silently loves Gangaa, and dedicates her life to him. However there are many, who would like to separate the happy lovers. There is Hansraj, who does it, and with the result Jamuna separates from Gangaa. Jamuna reaches Shanker's home, Shanker who already loved her becomes extremely happy finding Jamuna in his home. In the meantime Saraswati was about to come closer to Ganga. When Hansraj, who had earlier swindled the property of Ganga's father by illegal means wanted to get rid of the rightful owner Ganga, he got Ganga shot. Ganga was badly wounded and there was no hope of his survival.

Vijay Choudhury lives a comfortable lifestyle with his wife, Laxmi, and step-brother, Ravi. Although Vijay and Laxmi have been married for several years, they have no children, and as a result Laxmi is shunned and humiliated in the entire town of Madhopur, despite of the fact the Vijay is the Chair of the Village Panchayat. After Ravi completes his M.A., he falls in love with the only daughter, Lalita, of Milawatram and Bandharlekha. Since the Choudhurys and Milawatram do not get along, both anticipate problems from both sides. They do overcome these problems, get married, and Lalita proves to Vijay and Laxmi that she is here to be one of the Choudhury family member. Soon Lalita and Laxmi both get pregnant, and it is here that the family will be subjected to a trauma as only one woman will be able to give birth to a child. Watch what happens when a son is born and resultant anxiety that will end up tearing this family apart.

On her deathbed Lajjo asks her stepson, Rajjo, to look after her son, Beli.

Navendhu Kumar lives a poor lifestyle with his handicapped father, Mohan, housewife mom, two unmarried sisters, Leela and Rajni, a younger brother, Kundan, and a sweetheart in Meena. He works for Avinash Gupta, however, when differences occur, he is framed by Gupta for breaking and entering, arrested by the police, tried in Court, and exiled from the town for a period of 12 months. After he leaves, the family is almost destitute and are exploited by Gupta. Then some months later, a young man, Anand, comes to visit them, informing them that Navendhu has sent him. He gives them some money for day to day expenses, gets some clothes for everyone, and a wheelchair for Mohan. He arranges the marriage of Rajni with her boyfriend, Ajay, despite strong opposition from Gupta, and falls in love with Leela. What the Kumar family do not know is that Anand is a fugitive on the run from the police in Bombay, and he harbors a dark secret that will change their lives forever.

When Randhir's widow mother's remarriage belies the reform it stands for, he takes to the streets, getting involved in the liquor trade as a strong arm, making money and enemies with equal rapidity, yet hoping to give his mother a happy life someday. Guided by his close confidantes and his girlfriend, he finally achieves his goal and denounces violence. Just then, he is emotionally led into using his fists for the last time for a good cause. Life takes a tragic turn and he lands behind bars to face all his foes. Yet, the dawn of a new life is only a step away. Will he make it?

Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.

Years after he's declared missing in action, Indian soldier Ranjeet Singh (Sanjay Dutt) returns home a broken man. Severe mistreatment and torture have left Singh suffering amnesia; he only remembers the face of his tormentor. Though his wife, Pammi (Tabu), and sister Simran (Mahima Chaudhry) try to help him, his deep wounds may never heal. Chandrachur Singh and Rahul Dev co-star in this poignant drama from director Raman Kumar.

The relationship between two childhood friends is tested as they grow up and discoveries are made. Mirza Yusuf Changezi has known Jahan Ara since childhood, and both have been good friends. After they grow up, things are not quite the same, as Jahan Ara's dad is none other than Emperor Shah Jahan, and men are not permitted to meet with the princess under any circumstance. But Jahan and Mirza do meet secretly and promise to marry each other.

The only son of the Royal Astrologer, Narsin (Om Prakash) namely Gopal (Bharat Bhushan) is not interested in astrology but in music and songs, much to the dismay of Narsin.

An adaptation of Rabindranath Tagore's 1906 Bengali story Noukadubi (The Wreck).

Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.

Khwaja Ki Diwani

After his father's death, young Sameer runs away to search for his mother and is adopted by the tawaif Ganga.

This is a 1990 Hindi-language Indian feature film directed by Yesh Chauhaan, starring Sumeet Saigal in lead role.

This movie depicts the personal life of Samrat Chandragupt, his trials, tribulations, and frustrations, as well as the challenges he faces to reclaim his kingdom; face-off the threat from Sikander; enlist the assistance of the Yunani Greeks; his love for Helena; and be forced to make a decision of beheading his own mother as per the laws of the land.

Madhu (Sachin) and Malti (Sarika) are college students, who are assigned by their professor, Anil Sharma, to play the title parts in a college play based on Romeo and Juliet. The two fall in love along the way but are forced to move to a big city to realise their love, as their traditional families oppose to their relationship. The later move to Goa, where a Goan couple looks after them, but soon decide to go back home and confront the situation.

Chitralekha is a 1941 Indian Hindi-language film, directed by Kidar Sharma and based on the 1934 Hindi novel of the same name by Bhagwati Charan Verma.

Historical drama set during the time of Emperor Akbar

An honest lawyer, Vishwanath is implicated and imprisoned at the behest of powerful underworld don, GNK and his associates. After his release from prison, Vishwanath decides to seek vengeance, but finds out that it is virtually impossible to do this through due process of law. So he decides to change his identity, hire a gang of crooks and assassins, to carry out his vendetta. Not realizing that in doing this he is alienating himself from the love of his life, Soni; and making himself a wanted man by the police, leaving his crippled sister, Munni and mom, Shanti to fend for themselves, and at the mercy of GNK and his associates.

Ranjit Kumar, a police officer, spends his entire life protecting and upholding the law honestly. His only son, however, indulges in unlawful activities.

Bollywood 1954

Meera, a devotee of Lord Krishna, believes she is married to the lord and rejects her marriage to a Rajput prince. However, her spirituality leads her to face many hardships.

Aankhen (meaning The Eyes) is a 1950 Bollywood family drama film directed by Devendra Goel

Kal Hamara Hai is a 1959 Indian Hindi film, directed by S.K. Prabhakar and produced by K. Amarnath. The film stars Madhubala, Bharat Bhushan, and Jayant in lead roles. The film has a musical score by Chitra Gupta.

Raja lives a wealthy lifestyle with his somewhat upper Caste Hindu, eccentric, woman-hating dad, Hazurdas, and mom. He is friendly with Kishore, and both are aspiring doctors. On their way to college, they meet with two young women, Rani Mehra and Kamini.

Kavita lives a poor lifestyle with her widower dad, Rai Bahadur, and her brother. They had once been wealthy but now live in a heavily mortgaged mansion. She is in love with Advocate Sunil much to her family's displeasure as he is unsuccessful and an alcoholic. They discuss her situation with Murli, who arranges a matrimonial alliance with the Srivastav family. The Srivastavs consist of Mr. Srivastav, his wife, Shobha; a widower Advocate son, Jaswant and his daughter, Binny; and second son, Vimal, who is studying Medicine and is in love with wealthy Madhu. The Srivastav's mistakenly believe that Rai Bahadur is wealthy and force Vimal to marry Kavita. Shortly thereafter Madhu's marriage is arranged elsewhere...

For the well-being of her children, a destitute widow is forced to marry a man she dislikes.

Premi loved Lailajaan and one day he finds out that she works at a brothel. Later Premi finds out that Lailajaan was an ordinary dancer and he tries to win her back.

An honest and upright lawyer becomes a judge; marries his disabled daughter to a crook, and is blackmailed to compromise his judicial judgements.

The happenings of one night. A young heiress, on the run from her murderous uncle, roams the streets of Bombay where she runs into a series of shady characters. To escape from them, she makes a rendezvous with all of them to meet her early next morning at the Gateway of India, which also happens to be the locale for some covert criminal activity involving her uncle, the idea being to nab the crooks red-handed.

Drama about a boy molested by an older, wealthy man.

Devrishi Narad informs Bhagwan Shri Vishnu of atrocities committed by Mahaant on low caste untouchables. Narad is told that a devotee by the name of Eknath has already been born in Paithan, the grandson of Chakrapani, who will ensure equality for all. Eknath turns out to be precocious and is sent out to Janardhan Swami's Ashram. Years later he returns, weds his childhood sweetheart, Girija; visits the Char Dhams (Dwarka, Badrinath, Jaggannath Puri, & Rameshwaram) and sets out to do his fated task much to Mahaant and the Jagirdar Amar's chagrin - who arrest and put him behind bars.

Commissioner Kapoor makes Dadu Kaliya take the place of his lookalike inspector Vinod who was killed by Devi Dutt but how long will he hide the secret of Vinod's death from his family.

From their first coincidental meeting, Anil and Arti seem made for each other. When their paths continue to cross, Arti proposes to Anil, but he humbly turns her down. Heartbroken, Arti decides to find out why. She discovers his secret obligation to care for his six siblings, which makes marriage out of the question. Smita Patil, Raj Babbar and Shoma Anand star.

The tyrannical Angulimal (Bhushan), a bandit wearing a garland of severed human fingers and who engages in bloody mystical rituals to achieve divine power, eventually succumbs to the Buddha’s teachings. Nimmi played Angulimal’s lover.

Believing his wife to be dead, a man lets a woman, who has lost her child, nurse and bring up his infant son - until he finds out that his wife is still alive, and wants the baby back at any cost.

The new owners of Deepak Mahal meet with its caretaker, Mattu, who narrates the story of its' former owners: Bijondra - the only child of a wealthy Hindu Brahmin Zamindar; and Banani - the only child of a single father, Banjara Sardar Tinkari. Starting with the move to evict the Banjaras from his father's property, flute-playing Bijondra meets with and falls in love with pretty dancer, Banani - leading to being asked to leave by his enraged father; while Banani's father plans her marriage to Banjara Madhal.

Ram and Avtar are both childhood best friends. The difference between the two friends is that Ram would willingly make priceless sacrifice for his friend; the time when both are separated is when Ram goes abroad to further his studies. In the mean while Avtar takes up employment in an organization run by Sangeeta. Avtar is romantically attracted to Sangeeta but Sangeeta falls in love with Ram; when Ram gets to know that Avtar is in love with Sangeeta he decides to sacrifice his love for his friend sake by getting Avtar married to Sangeeta. But one of Sangeeta's enemies Gundappaswami is willing to expose Ram and Sangeeta's relationship to Avtar.

As a courtesan, Surajmukhi lives a life of servitude and exploitation that she longs to escape. Sultan Singh, rescuing her from an assault, is the first man to treat her with respect. Over time, Surajmukhi melts the sultan's harsh, unforgiving exterior and may find the bliss she's always wanted. Rekha, Dharmendra, Jagdeep and Chandrashekhar star in this tale of romance set against the backdrop of Indian history.

Widower Shankar lives a middle-class lifestyle in India along with daughters, Sudha and Guddiya, and son, Rakesh, and makes a living working as a Cashier in a bank. He is very friendly with his neighbor, Karim, who lives by himself. Sudha has fallen in love with Captain Deepak Verma, a Pilot, the only child of widower Colonel Verma, and he arranges their marriage. Before even the engagement could take place, Shankar confesses to stealing ten thousand rupees from the bank to help a deserving customer, he is arrested, tried in Court, and sentenced to 3 years in jail. He is then subsequently transferred to a jail in Nasik but keeps in touch with his children by writing letters through Karim. Karim takes it upon himself to assist this family, but the earnings are not enough and Sudha as well as Rakesh find employment.

A young crusader struggles to free the poor peasants from the clutches of the corrupt trustees of their town. He decides to take any measures to get justice.

Gyara Hazar Ladkian is a 1962 Indian Hindi-language romantic social drama film directed by K. A. Abbas. The film was co-produced by the poet Ali Sardar Jafri, who also helped co-write the story with Abbas. Produced under the Film Friends banner, it had music by N. Datta. The director of photography was Ramchandra

A murder had taken place. The suspect ran away and jumped into the water . When he was dragged out of waters, he was unconscious. A story of mystery and of breath-taking suspense.

Ijjat Beg comes to India with his caravan and settles in a town in Gujrat. Here, he falls in love with Sohni, who owns a shop of metal pots.

Sapna lives a simple life in the slums with her hard-working mother and her alcoholic step-father. One day she catches the eye of the wealthy smuggler Heera, who tries to seduce her, then sexually assaults her. Sapna is rescued by the young taxi driver Amit and the two fall in love, but vengeful Heera is not the only challenge to the couple's love.

Radha (Pooja Bhatt) and Manohar (Vivek Mushran) love each other and want to get married, but Radha's dad (Ashok Saraf) does not approve of their marriage as Manohar comes from a poor family. He instructs Radha not to leave the house, but Radha finds a way to escape and goes to Manohar's house. Anticipating more obstacles, they run away, guided by Radha's uncle Natwarlal(Prem Chopra). Natwarlal convinces them that they must kidnap a wealthy person and demand a big ransom and take the money to appease Radha's dad. It is then they start to realize that their uncle has some other devious plans for them.

Muqaddar ka Faisla, is the story of Pandit Krishna Kant. A poor, but extremely honest, upright, God-fearing man, who refuses to compromise on his principles.

CBI Inspector Kumar is assigned to investigate the case of a mysterious murder.

Union Leader Vijay wants his employer Dhanraj to treat his employees as shareholders. Then the company faces huge losses, as a result the employees are angry and convinced that Dhanraj is to blame.

Radha loves Amar but he loves Asha and soon marries her; ridden with jealousy, Radha begins to poison his married life by creating misunderstandings.

Maharaja Sharminder Bhupathi of Avanti and his wife, the Rajmata, would like to see peace in the region, and would like their daughter, Alaknanda, to marry the prince of Gandharva, Aditya Vardhan. While in Gandharva, Aditya has plans of his own, for he loves a courtesan, Jaswanti, and would not dream of marrying anyone else, much to the disapproval of his brother, Ugrarao. Not to be outdone, Alaknanda loves a young warrior by the name of Vikram Singh. Acharya Abangdev of Avanti has plans of his own, which do not include Alaknanda, as he would like to take the region over and rule over it through Ugrarao. Then the unexpected happens, Aditya is reportedly killed by bandits, and Abangdev announces that Ugrarao be the next king, but at the very moment, Aditya shows up, is crowned the king, and makes sweeping changes to Avanti for the betterment of the people.

When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.

The first and only Indian movie to be made in Sanskrit. The movie follows the life and times of Sankara - the founder of the non-duality (Advaita) school of Indian philosophy.

A tale of sublime love and love's supreme sacrifice.

Thakur and Sehgal get into a fight that leads to Sehgal's death and creates a rivalry between the two clans. Years later, Jai and Durga, each from the opposing families, fall in love with each other.

Seth Laxmi Narayan and his wife had a son who was separated at an early age. The only clue they have is that he has a locket around his neck. When Laxmi Narayan passes away, he leaves behind a lot of money and wealth. His wife makes efforts to locate her long-lost son, with the help of her relative, Durjan Singh. Durjan Singh hires a local thug, Birju, and asks him to pose as the long-lost son, for a hefty price, to which he agrees. Mrs. Narayan welcomes Birju as her son, and accepts him, little knowing his agenda, and the evil scheme devised by Durjan Singh and his son.

Shri Chaitanya Mahaprabhu is a 1954 Hindi devotional biopic film produced and directed by Vijay Bhatt. The film is about the 15th century "medieval Vaishnav poet saint" and social reformer of Bengal, Chaitanya Mahaprabhu, whom many considered an Avatar of Krishna.

Hero is the story of a criminal transforming and evolving as a good person under the influence of love. Jackie is a baddie with a heart of gold though, who has to settle scores with the area's 'Thakur' and his police officer son Sanjeev Kumar. So he opts for kidnapping their soft spot, Radha, Thakur khandaan's only daughter. Radha is given to understand that Jackie and his gang are police people who have taken her away to the safety of jungles because their house has been invaded by dacoits. The rest of the story is about the gang's camaraderie with Radha in sylvan spots and the discovery of truth by Radha.

The story of two wedding planners in Delhi, where tradition jostles with modern aspirations against the backdrop of big fat Indian weddings revealing many secrets and lies.