Maidie Norman

Biography

Maidie Norman was born Maidie Ruth Gamble on October 16, 1912, in Villa Rica, Georgia, to Louis and Lila Gamble. She received a B.A. from Bennett College in 1934 and a master's degree from Columbia University three years later. She also attended the Actors Lab in Hollywood from 1946 to 1949. Norman first appeared on film in The Peanut Man in 1947. Throughout the fifties-not a good time for film roles for black women-she appeared in a number of films, such as Bright Road with Dorothy Dandridge and Sidney Poitier and Torch Song, both in 1953; About Mrs. Leslie and Susan Slept Here in 1954; and 1956's Written on the Wind. These were often servant roles, with a special fifties blandness. Still, Norman was skillful and professional in her execution of them. In 1962, she got a chance to chew up the scenery with Bette Davis and Joan Crawford in What Ever Happened to Baby Jane? In 1968-69, Norman was an artist-in-residence at Stanford University and, throughout the seventies, she was lecturer, director, and acting teacher at UCLA. At the same time, Norman was highly visible on television, appearing in Mannix, Adam 12, Streets of San Francisco, Kung Fu, The Jeffersons, and others. She was also part of the cast of Roots: The Next Generation in 1979. Norman was a founding member of the American Negro Theater West; in 1977, she was inducted into the Black Filmmakers Hall of Fame; and an award in her name is presented each year for outstanding research by an undergraduate in Black Theater at UCLA. She died on May 6, 1998.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955