Jim Sclavunos

A collection of the best of music videos by Nick Cave & the Bad Seeds from 1984 to 1997, all with a "making of" commentary. Each of them excellent, despite the band's obvious dislike of making videos, welcoming every chance to get out of it. Tracklist: 1. Stagger Lee 2. Where The Wild Roses Grow 3. Into My Arms 4. (Are You) The One That I've Been Waiting For? 5. Henry Lee 6. Red Right Hand 7. Loverman 8. Do You Love Me? 9. Deanna 10. The Ship Song 11. Tupelo 12. In The Ghetto 13. Jack The Ripper 14. What A Wonderful World 15. Straight To You 16. The Mercy Seat 17. The Weeping Song 18. The Singer 19. I Had A Dream, Joe 20. Wanted Man

1. Hiding All Away 2. Messiah Ward 3. Easy Money 4. Supernaturally 5. The Lyre of Orpheus 6. Babe, You Turn Me On 7. Nature Boy 8. Get Ready for Love 9. Carry Me 10. There She Goes, My Beautiful World 11. God Is in the House 12. Red Right Hand 13. The Ship Song 14. Stagger Lee 15. Wonderful Life 16. Nobody's Baby Now 17. Bring It On 18. Sad Waters 19. Watching Alice 20. Christina the Astonishing 21. Wild World

Documents the writing, recording and performing of Nick Cave & the Bad Seeds’ sixteenth studio album, Skeleton Tree.

From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.

Tom Waits is one of the most original musicians of the last five decades. Renowned for his gravelly voice and dazzling mix of musical styles, he's also one of modern music's most enigmatic and influential artists. Using rare archive, audio recordings and interviews, this film is a bewitching after-hours trip through the surreal, moonlit world of Waits' music - a portrait of a pioneering musician and his unique, alternative American songbook.

Recorded at Copenhagen’s Royal Arena in October 2017, Distant Sky captures an extraordinary and triumphant live concert from Nick Cave & The Bad Seeds. Performing new album Skeleton Tree’s exquisite compositions alongside their essential catalogue, the band’s first shows in 3 years provoked an ecstatic response in fans, critics and band alike, renewing a profound and intimate relationship wherever they played. The band’s acclaimed tour started in Australia in January 2017 before tearing across the USA and ending in Europe, with some of the best reviews of their decorated career.

From their roots as a brutal, confrontational industrial band, through breakups and chaos, to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982--singer, songwriter Michael Gira. 'Where Does a Body End?' is a SWANS documentary with unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs. An unfiltered story of a life in the arts, frequent difficulty spanning decades without a safety net, creating work because Gira says "What else am I going to do?"

The centerpiece of this DVD is a 90-minute concert by Nick Cave & the Bad Seeds, performing live in Lyon, France, in the summer of 2001 during a European tour in support of the album No More Shall We Part. Its mature and emotive textures dominate this show, which means if you're hoping to see Cave whipping himself into a frenzy while Blixa Bargeld rattles the walls with his guitar, well, you're out of luck. However, this footage proves that, in more subtle form, Cave is still a magnetic and compelling performer and that the Bad Seeds have grown into a singularly gifted ensemble who bring just the right amount of drama and force to Cave's superb songs (with guitarist Mick Harvey and violinist Warren Ellis taking top honors at this performance). Beautifully shot, intelligently edited, and boasting crisp and full-bodied audio, God Is in the House is a fine document of Cave and his collaborators on a good night.

Two filmmakers document three years in the life of contemporary Greek painter Stefanos Rokos, as he is working on the making of his exhibition “Stefanos Rokos: Nick Cave & The Bad Seeds’ No More Shall We Part: 14 paintings 17 years later.” His daily routines, his artistic process, some spontaneous inspirations, and his creative dialogue with legendary musician Nick Cave.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album Murder Ballads (originally released in 1996). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album Nocturama (originally released in 2003). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album Dig, Lazarus, Dig!!! (originally released in 2008). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album Abattoir Blues/The Lyre of Orpheus (originally released in 2004). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

Case bound book containing 3 CDs and a two hour DVD featuring live performances, rare footage and interviews with a 36 page book.

Filmed at CBGB’s, New York City at a Teenage Jesus & The Jerks concert on January 13th, 1978. The film shows the band members’ heads in slow motion over a live concert soundtrack.

The "No New York Festival" on a tour of Europe. This concert is at SO36, Kreuzberg, Berlin, where a sprawling variety of bands and musicians related to the NNNF performed.

My Lover the Killer is the former title of the album by Lydia Lunch & Marc Hurtado released in 2016. The music, first languorous then abrasive, accompanies the verbal flow of the transgressive poetess who comes back to an intimate and violently tragic episode of her own life: her love and death story with Johnny O’Kane. With her long-time collaborator, Lydia Lunch, face to face with the camera, transforms this naked scene full of troubled anger into a deep dark confession. Hurtado’s images are saturated, grainy, willingly experimental and clash with those of an archive of furious performances. Just like the one who seeks to avoid taking part in her own prophecy.

A suicidal man from Milwaukee is given a second chance at life in NYC, working as a drag MC while learning the courage from the caring LGBTQ+ community to pursue his dreams, including a relationship with a tap dancing single mom.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album Let Love In (originally released in 1994). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century