Yakov Gudkin

Three pilots are best friends and good fighters. During the WWII they are taking an oath to refrain from love until the end of the War. But soon they meet three women-pilots. One by one they give up the oath, and all three fall in love.

Directed by Fridrikh Ermler.

The career of Spirka Shpandyr, a master pickpocket!

An adaptation of Evgenii Zamiatin’s short story “The Cave,” about a musician dying of hunger in his large, unheated Petersburg apartment because he was not needed in the revolutionary city.

Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s. This film could be considered as a Stalin propaganda film. The plot involves an effort to catch "wreckers" at work in a Soviet factory. From Wikipedia, the free encyclopedia

Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.

Chinese workers start a rebellion, arm themselves and take over the train on which they are travelling and manage to break through the frontier.

Talents and Admirers

A young country girl who becomes an apple seller is seduced and abandoned. She finds a protector but when he is arrested for theft she finds honest work in a factory.

On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. She’s Anna Sergeyevna, trapped in a loveless marriage to a lackey. He’s unhappy in an arranged marriage. With neither spouse at hand, Dimitri and Anna begin an affair. After a short time, she returns to Saratov, he to Moscow, believing it’s good-by forever. All winter he is miserable, enervated, distracted by tristesse. In desperation, he contrives to go to Saratov, surprising her at a concert. Fearing discovery in her home town, she promises to come to Moscow. Will they cast aside reputation to live together, or will theirs be an affair of infrequent encounters in hotel rooms?