Teemu Nikki

Play God is a humorous documentary that neither apologizes nor whines but simply recounts, with brutal honesty, the story of a failed splatter film project.

A tale of hate with no justifiable purpose: dry, cold winters, smoking highway dust, apartment buildings on the horizon, and VOLVO S40 leather seats.

Cleaning woman is cleaning and finds herself in an unexpected situation.

The Defiler is a fuck-yeah-tale of passion, mayhem, love and revenge, ode to 80’s action, italian ripp offs and b-sleaze set in the cinematic splatter-punk universe.

Marja (Minka Kuustonen) is a blogger. Olavi is one of the richest men in the country. She might be able to save her blog if she dates him, but what if she falls for him for real?

Pony and Birdboy tells a story of seven-year-old girl Pony, who doesn’t want to go to school, and big-mouthed Birdboy who has solution to all possible problems. Humoristic family-film Pony and Birdboy is partly based on Veera Salmi’s popular children’s book The Book of Pony and Birdboy, which rich humor and anarchist hustle have brought the book as a favorite of children.

Jaakko and Sirpa have never met face to face, but talk on the phone every day. When Jaakko hears news about Sirpa's declining health, he decides to go meet her in another city. It's not the easiest decision, because he's blind and paralyzed from the chest down - and he has to make the journey alone. To get there, Jaakko must rely on the help of five strangers. What could go wrong?

Hanna teams up with her sister and counterculture friends to create a parody romance on Instagram between herself and young actor Ekku. Hanna starts living a crowd-pleasing love story for the public, only to find herself tangled up in the unresolved past with her “you were never my boyfriend” friend Lasse, who also happens to be the real-life co-writer and cinematographer of Fucking with Nobody. Fiction and auto-fiction crash and melt into each other, as writer-director Hannaleena Hauru plays the lead role of an ever-single film director Hanna.

Pasi returns to his childhood town, asked to reconfigure the local plywood factory. With a child on the way with his upper-class wife, Pasi sees an opportunity – this is his ticket to climb the professional ladder in the company. On arrival, he bumps into his childhood friend Janne, who works in the factory he is about to downsize. Pasi begins to struggle with the fact that he is supposed to care for the profits – not for the people.