Nenad 'Džoni' Racković

In a near-future Belgrade, a DJ stirs up trouble with his rocking anti-establishment broadcasts. After his station is shut down, he takes to the street and starts transmitting revolution with the police hot on his trail.

A transvestite couple from 1990s Belgrade beholds their profession as a pacifistic mission, curbing the urges of rapists, gamblers and horny young men during turbulent periods in war-torn country.

"(On the Quest for) Beograd Underground" is an independent documentary film in the form of a sequence of interviews with alternative artists from Serbia who have dedicated their lives to the creation of one (sub)culture, very rich in its nuances, yet very precarious in its existence. Numerous artists speak of their conceptions of the underground as a movement, a way of perceiving reality, a way of social engagement, and even a way of living. The specific socio-historical condition in the '90s resulted in intensive artistic activity as a response to the totalitarian regime. This film is a collection of the personal experiences of artists who were involved in the underground scene since the '90s until the first decade of the new millennium.

Omnibus film, consisting of three independent parts: in the first story, Koma, a failed rocker, wants to prove to his producer father that newly composed music could be better than his. He becomes a mysterious masked folk singer-known as Ninja. In the second, Dracula is killed... again. This time he does not dies oby way of a wooden stake, a silver bullet, or a cross. A blonde woman manages to deprive him of eternal life without the help of sunrise. The last story is about Eve and Djuro. She is creator, he is a musician. They live in a harmonious relationship, but a love letter brings division among them.

After witnessing the murder of night club dancer Patra Kleo, Belgrade's private sleuth Johnny Paluba is on a quest to find the killer. Police inspector Todorov, newly decommissioned is also looking to solve the crime. In the process they may have discovered a lost Serbian film made during WW2.

An experimental work based on the writings of prominent Yugoslav Dadaists.

Memories and commentaries of non-professional actors combined with excerpts from films in which they participated as "protagonists," mixed with footage made of crews working on the sets of Zilnik's films.

Boogie is switching from street photography to a series of portraits using the antique collodion wet plate process at his Belgrade studio. Only to find out that the most unusual manifestations of human nature can be found in photographing people in this technique. He refers to this series as “Demons”. This procedure is exclusively related to Belgrade. Unlike other cities where dark content is found in everyday life of people from margins, in Belgrade this content is found among acquaintances and friends. Boogie is able to capture something profoundly, demonically, and in the character of the “ordinary people” represented thanks to this unusual technique of the long exposure photographing procedure. Boogie describes this procedure as an alchemical one that can capture something “from the other side”.