Sigi Graue

A young circus director ends up going into television after her father, a trapeze performer, dies in a circus accident.

Baal explores the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

The Indomitable Leni Peickert is a loose, half-hour sequel to Alexander Kluge's second feature film, Artists in the Big Top: Perplexed. This shorter work, seemingly assembled from leftover footage from the longer film, continues the story of the circus owner Leni Peickert after she first abandoned her idea of a radical circus in favor of a job in television. It opens where the previous film left off, at a TV station where Leni and her friends have gathered as employees, attempting to infiltrate the corporate establishment with their own revolutionary ideas. This radicalism is somewhat undercut by the way that Kluge deliberately shoots down the low-cut blouse of one of these young revolutionaries, the camera eyeing her cleavage and then panning down, to the text she's reading, and then back up again, finding her sexuality ultimately much more interesting than her radicalism.

When Jaider has to illegally poach in order to feed the citizens of a poor Alpine town, he gets into a blood-soaked conflict with the German authorities.

After years in prison, a gang of criminals are deported from Bavaria and arrive as free immigrants to America. They kill an Indian by accident and do different jobs such as cleaning latrines, until they get installed in an abandoned house next to an Indian woman. One day someone will propose to perpetrate a robbery ...

Everyday life in a commune near Munich in the spring of 1969

A biochemistry professor finds an old manuscript with structure and formula of immortality drug.

Outer space in 2034 is run by greedy corporations in a rundown bureaucracy. Two astronauts, who are not very smart, make their way with shady dealings, smuggling and spaceship wrecking.

Two rival gangs try to obtain the five parts of a dangerous formula held by five scientists.

A young filmmaker becomes involved with a gangster in Berlin. Based on the Ulf Miehe novel Ich hab' noch einen Toten in Berlin.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.

Can a small group of people start a proletarian revolution, asks the "Black Monk" in a leather jacket. The medieval shepherd, Hans Boehm, claims to have been called by the Virgin Mary to create a revolt against the church and the landowners. The "Black Monk" suggests that he would have more success if he dressed up Johanna and had her appear as the Virgin Mary.