Dragoljub Vojnov

The plot of this film can be viewed from a two different levels. The first is universal and deals with the psychological theme of need for competition in the group, highlighting the need for the victory, which in life usually does not depend on the true virtues of the winner, so the result is usually tragicomic. The story talks about the choice of the most noble work. Selected participants arrive at the guesthouse on the border between Croatia and Serbia to prepare for the final act of the competition and the jury's decision. Seven competitors have a rather narrow view of the world. Even when the big events, such as ethnic conflicts in this part of the Balkans, the contestants insist to proceed the competition and to choose the hero of heroes, even though the very idea of competition has become anachronistic under the pressure of current events (the anger of the local Serbian population of the newly established Croatian authorities).

The film speaks of student demonstrations in Belgrade, 1969 and of the critical quality, enthusiasm and discipline of this form of protest. It was the most powerful public criticism of "red bourgeoisie" - members of communist apparatus, who suppressed creativity and affirmation of new generations throughout Eastern block.

The story of the birth of a love between two young people, about its duration, with all the difficulties and beauty that it brings, the closing of that love because of conflicts with exaggerated dynamics and false values of contemporary life.

Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.

Three gangsters smuggle a microfilm with passport data from West Germany to their buyer from Middle East, which happens to be crucial thing for the security of European Community. On their way through Yugoslavia, they try to hide the microfilm in the Miss Universum's purse who pays visit to the country at its national beauty contest. The problems arise when the microfilm accidentally finds itself in the possession of one of the competitors, unbeknown-st to her. The criminals try to get in possession of the microfilm, however a brave journalist who came because of the contest prevents them of doing so.

Marko, an aspiring filmmaker, is unable to pursue a career in horror films. He ventures into the porn industry, but his unorthodox style fails to impress producers. Frustrated, he assembles a crew of junkies, homosexuals and transvestites and starts a traveling live porn show. Soon a shady producer appears, he will pay them real money if they are willing to start making snuff films for him.

The story takes place at the beginning of the bombing, both in Belgrade and in one small town in Serbia, at the end of March 1999. Forty-year-old Mickey, an unaccomplished writer, a disillusioned assistant professor at the Faculty of Fine Arts, a discouraged democrat and a columnist, dismissed from a famous daily newspaper, emerges from his own grave and enters into his own life. Within 48 hours, he will try to achieve all those things he couldn't while he was alive. At the same time, post-mortem, he will try to save the dignity of his own community and his tribe, not taking too much care of himself.

Two girls swear their former boyfriends and sent two demons Strahinja and Lola to take them. Strahinja must deliver the main heroes of this world or, by the decision of the judge of the Dark Vilayet, be returned to the unpleasant state of death. The four stories that make this omnibus film, follow main characters which Lola and Strahinja should pick up. Each of them tries to avoid death. You will see how the sanguine, phlegmatic, melancholic and kolerik cope with the death officers.

'Honeymoons' shows us that the distance between Eastern and Western Europe is more than a question of kilometers. The films follows two couples, one is Albania, one in Serbia, who in the midst of wedding celebrations decide to leave their respective countries to realize their dreams in Western Europe. They soon find themselves trapped between their countries' past and their future lives together.

The story of a group of people who came to France to the temporary work, their sufferings, persecutions, and a constant struggle for survival.

Story of two sisters that grew up in a small Serbian village in the beginning of the 1930s. The village is torn up by wars and years long blood oath. There are no men left in the village. Our heroines, Ognjenka and Mala Boginja decide to go to the city, kidnap men and return life to their village. The lights of the metropolis dazzle them and there starts this little amusing and sentimental adventure.

The story of two brothers of different orientation and fate. The drama takes place in an atmosphere of tension and fear, during the conflict of Yugoslav Communist Party with the Stalinism, during the Cominform. Older brother Dragoslav, a returnee from Russia, was unjustly accused of being a Russian spy and subsequently arrested. Younger brother Kosta is not interested in politics, but he's attracted by a brother's wife Vera and underworld mafia. In the end, it turns out that a young woman belongs to the Soviet spy agency.

A romantically conceived interview intended for a student paper completely changed the lives of two people: student Una and a respected professor. She is pretty and intelligent, but unable to cope with complicated relationships in which she became involved, while the professor is a person whose lectures on mass media are most visited by students at the Faculty. However, his views are not met with approval by the bureaucratic circles at the University. Vice Dean of the Faculty by means of intrigue manages to lure Una into a game with the professor. Thus, an innocent interview turns into a record of life, philosophical and ideological views of the controversial professor, and then into a malicious report about his life, behaviour, action and movement ... The Film is based on the novel Una written by Momo Kapor.

The lives of many people in one Serbian town are changed after Tito's breakup with Stalin.

After confronting his professor, a student of medicine loses his illegal bed in student housing and finds a job as a housemaid at Sava Mitrovic house. The family happiness soon turns into a chaos, falling apart like a Robert Hall suit.

Due to misunderstanding and hard life, a man divorces his wife and leaves the city. He comes to a new environment, meeting new people and new wife. Crucified between two worlds, he does everything to bring her two sons on the right track, and getting on with his own life. Lost in that space, powerless to change things significantly, he commits murder.

Dealing with his customers with an open heart a car mechanic named Života goes through many adventures. Some are funny, some are sad, some reveal the beauty and other human misery. (Six episodes in total)