Aleksandar Davić

A surreal satire about a philosophy student who takes a job as a gravedigger while suffering an existential crisis.

It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.

A documentary about Novi Sad’s rock band Boye, which in the early 80s gave life to female spirit in Yugoslavia’s r’n’r music, fully aware of the type of music they chose, managed to position themselves on, up to then exclusively “male” scene and forced themselves as the original occurrences.

A story about an unusual break-up.

An experimental film about an art group trying to get their works across the border to Slovenia during the economical and cultural blockade of Yugoslavia in 1993.