Joaquín Hinojosa

Pedro Martín, a young and ambitious doctor, is studying the effect of cancerous cells on mice, but he has run out of mice in his laboratory, since they do not breed there, and he has no funds to purchase more of these expensive laboratory animals from the United States. Nevertheless, his assistant, Amador, informs him that he gave some of the mice to an old trapper, nicknamed “el Muecas”, who lives in precarious conditions in a shanty town outside Madrid, and that this poor man has successfully bred them with the help of the natural heat of his daughters. The incredulous scientist goes to the shanty town to obtain the mice. There, Pedro meets Muecas, Muecas's wife Ricarda and their two daughters Florita and Conchi. With the warmth of the women’s breasts, as the flirtatious Florita shows Pedro, the mice are able to reproduce.

In the near future, the areas between major cities are lawless wastelands. Atolladero is a town run with an iron fist by a corrupt tyrant named The Judge and his murderous enforcer, Madden. One decent cop decides to leave town, but the powers that be don't want that and go after him.

An amateur detective helps a hotel owner to find her younger sister.

Spain, 1977. The first general elections are about to take place after the long dictatorship and the progressive environment of Madrid is easily palpable. Protagonists, Carmen and Juan were once married and now living separately, both have a child. It's one of the only reasons they maintain cordial to one another. Their separation, the political context and the contradictions of the progressives of the time will not defeat the affinity between the two.

Marisa, a 38 years old woman, tells a stranges story to her daughter while they're walking through a level crossing in Madrid. An anthropologist, Jaime, is chased by a mysterious jeep. In the course of the chase, he takes shelter in a small motel. When he settles down, he keeps writing in his personal diary, reflecting his impressions about his work in it.

Three old schoolmates, who in their time as students had formed a kind of secret society called The Black Hand, in order to embitter teachers' lives, meet again years later with very different lives. One is a dad's son who is distracted as best he can; another has become a writer of espionage novels and is persecuted by the CIA, and the third leads an indolent life without further ado. The reunion of the three friends will make the society of La Mano Negra revive.

Drums of Fire

Persecuted by her controlling ex-husband, Rosa plots an escape

Los comuneros

Tatin is a young man of fifteen years old who joins a violent group of extreme right-wing ideology, led by Blanca, a mature woman of influential personality.

A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.

Pamplona, 1975: Dr. Navarro, a famous doctor in the city, feels strongly attracted to Juana, his nurse, who is also in love with the doctor. Navarro, however, moved by his strong religious convictions (in fact, he is a numerary member of Opus Dei) remains faithful to his wife and tries by all means to prevent that their relations with Juana break through professional boundaries. For the purpose of that, he orders the nurse will sent to another hospital. This will push Juana to take the initiative and provoke the doctor during San Fermines.

The Galgo brothers are inseparable macho loners living in the heart of Andalucia at the turn of the century. One day Rafael comes home with Gracia, who is to be his servant and lover. They become trapped in a hell of their own making.

Two former students of a strict religious school decide to return there during the summer holidays to make those who were their teachers experience all the suffering they experienced as students, beginning a sinister game in which the buried violence, the dark traumas of the past and the desire to heal old wounds will lead them to an unexpected climax.

A theatrical group prepare Voltaire’s play “Alzire”. From this the ideas of Voltaire are examined as they relate to the present day political situation.

Dos

Pedro Jarrapellejos is a ladies man who cannot turn the heads of Isabel or her beautiful daughter. When both peasant women are found raped and murdered in a brutal scene, a schoolteacher is falsely accused. Pedro knows his own nephew and his friend participated in the killings, but he uses his considerable influence over the police and courts to intimidate the witnesses into silence.

Tierra de rastrojos

When a series of murders hit the remote English countryside, a detective suspects a pair of travelers when it is actually the work of the undead, jarred back to life by an experimental ultra-sonic radiation machine used by the Ministry of Agriculture to kill insects.

In Extremadura, Spain, Pascual Duarte, a humble, simple and ignorant peasant, condemned to a boring and humiliating existence with no future, commits a horrible act during a day of such heat that enervates his disturbed mind and his anger, which he will not be able to calm down until, after following a bloody path of senseless violence, he faces his own tragic destiny.

Elisa has not seen her father Luis for nine years, but she receives a telegram from her sister Isabel in a moment of crisis of her marriage with Antonio telling that her father is ill and she decides to travel to the countryside of Madrid with Isabel and her brother-in-law Julián and their two children to visit Luis for his birthday. Elisa decides to stay with his father when her sister returns to Madrid with her family and she gets closer to Luis, understanding why he left her mother years ago. Later she tells him that Antonio cheated her with her best friend Sophie and their relationship has ended. When Antonio unexpectedly arrives in the house, Elisa takes a decision about her life.

Al acecho

Géminis

Zapico

El sueño de Tánger

El senor Galindez is a Spanish movie starring Antonio Banderas

Luis y Virginia

Fourteen Stations

In the mid-fifties, El Nini lives in the poorest and most forgotten rural Castile (Spain). He is a child with no more knowledge than those provided by nature. El Nini lives with his father in a cave, and with him he devotes himself to the hunting of water rats, the only means of subsistence they know. But when they are tried to deprive them of their roof and their livelihood, violence will erupt uncontrollably.

Viaje a la Alcarria

A newlywed couple goes to the beach on their wedding day to celebrate those moments that should be the happiest of their lives. But the scariest of nights awaits them, and the wedding...was just the beginning.

Irene lives with Mateo, his father, and her son David, 22 years old. Living together is harmonious and happy, but there is a conflict: David, a brilliant student of architecture, has decided to go and live with his girlfriend Clara, a supermarket cashier. Despite its liberal way of thinking, Irene cannot understand such an unequal relationship. However, David finds in his grandfather the necessary complicity to carry out his plans. Mateo is a old and vital octogenarian despite his tough history: he was a child during the Spanish Civil War (1936-1939), and he lost his house and all his family. But none of that could finish with his energy and desire to live. One day, however, Mateo arrives with terrible news.

Bandolera

Lalola

La Máscara Negra

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.