Océane Mozas

Julie Bataille is fed up with student jobs. At 23, with a 5-years university degree, she wants to work for real. She meets Ben by chance at a job interview. He's a guy who chose to live by the day, getting by with whatever crosses his path and small-time trafficking. Ben asks her to come and spend the summer with him in the South. Julie declines. Then one day, on an impulse, she leaves everything behind and joins him.

A man struggles to support his family while remaining true to his ideals in this drama set in Europe during the 1930s. Orfeo Mancini and his wife Nella are a pair of working-class Italians who years ago swore allegiance to the Communist party. With Mussolini on the rise, Orfeo and Nella come to the conclusion that they are no longer welcome in their native land, and they decide to pull up stakes and move to America with their two children. As a result of some confusion en route, the Mancinis end up in Marseilles rather than the United States; needing work, Orfeo takes a job working as a manual laborer for a wealthy landowner. This requires a serious amount of pride-swallowing on Orfeo's part, since his new boss is an Italian expatriate who once courted Nella. The situation becomes all the more difficult for Orfeo when his employer throws his allegiances behind the growing fascist movement.

Le dernier jour du jeûne

Juliette was simply not sure about coming to live in this residential suburb of the greater Paris metropolitan area. All the women here are in their forties, have children to raise, houses to keep and husbands who return home late at night.Today she has an appointment in Paris that is important for her career, but she also has to run errands and pick up the kids from school. During the course of her day, monopolized by petty, everyday tasks, Juliette can feel the noose of domestic obligations and household chores slowly tightening around her neck.

Cinq drôles de bonhommes rouges qui chantent en racontant des histoires avec pour seul instrument... une guitare. Impossible de ne pas rester l'oreille accrochée aux textes tant ils sont remplis de réalité parfois violente, satirique, politique ou absurde. Un travail de mise en scène hallucinant et un véritable spectacle théâtral.