Matthew Foster

A man races against time to prevent the unthinkable from happening to the one he loves. The Last One is one man's journey home, where the consequences of the choices he's made slowly begin to unravel in front of him. As Alex recovers from a gunfight and comes to his senses, he realizes that his life and that of his girlfriend Abbie are in grave danger. Unable to reach her, Alex must now make the long journey back to Abbie before the people he's crossed get to her first. It won't be an easy task, as Alex is confronted by police and hunted down by a lone gunman. His only hope lies in the form of a stranger, whom he has taken hostage. As they drive into the night, Alex begins to realize just how important his relationship is, and now, he can only hope he is not too late to save it.

Set in Detroit during the Civil Rights Movement, "An American Girl Story - Melody 1963: Love Has to Win" examines the joyful life and troubled times of an irrepressible 10-year-old African-American girl whose vivid imagination and creativity reinforce her optimism. When shocking national events threaten her sense of security, Melody must find inner strength to restore her hope for a better world.

Two con artists have spent 26 years training their only daughter to swindle, scam and steal at every turn. During a desperate and hastily conceived heist, they charm a stranger into joining them, only to have their entire world turned upside down.

In 1979 Santa Barbara, California, Dorothea Fields is a determined single mother in her mid-50s who is raising her adolescent son, Jamie, at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women – Abbie, a free-spirited punk artist living as a boarder in the Fields' home and Julie, a savvy and provocative teenage neighbour – to help with Jamie's upbringing.

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

Eleanor Shellstrop, an ordinary woman who, through an extraordinary string of events, enters the afterlife where she comes to realize that she hasn't been a very good person. With the help of her wise afterlife mentor, she's determined to shed her old way of living and discover the awesome (or at least the pretty good) person within.

White Collar Blue is an Australian television series made by Knapman Wyld Television for Network Ten from 2002 to 2003. Starring Peter O'Brien as Joe Hill and Freya Stafford as Harriet Walker, the series dealt with a division of the police force working in the city of Sydney and the personal and professional tensions affecting their work and lives. In the pilot episode, Harriet is introduced as the new face to Kingsway station, transferring from the "White Collar" federal police to the "Blue Collar" New South Wales Police. Throughout the series Harriet must deal not only with her husband's brutal murder and the revelation of his adultery, but with learning to adjust and fit into her new surroundings. Joe is Harriet's new partner, and isn't exactly welcoming to her as an addition to the team. With two daughters from previous marriages, Joe needs to juggle his homelife, his dedication to the job and his relationship with Nicole Brown, played by Jodie Dry. The other cops at the station are Ted Hudson, played by Richard Carter, Sophia Marinkovitch and Theo Rahme, and each have their own secrets and problems to deal with. The series was axed after two seasons, however it can be found on cable TV both in Australia and overseas.

Brand new lawyers work for both the defense and the prosecution as they handle the most high profile and high stakes cases in the country – all as their personal lives intersect.

Agent Phil Coulson of S.H.I.E.L.D. (Strategic Homeland Intervention, Enforcement and Logistics Division) puts together a team of agents to investigate the new, the strange and the unknown around the globe, protecting the ordinary from the extraordinary.