Shawn Phillips

In the far-flung future of 2025, where man is a victim of his own technology and corporations deal to a black market that trades in human body parts, a cyborg bounty hunter is hired by a wealthy woman to find out who murdered her husband.

Rocker Shawn Phillips -- whose genre-defying excursions into folk, jazz and progressive rock made him one of the most intriguing musicians of the 1970s -- delivers a career-spanning concert at Cape Town, South Africa's Kirstenbosch Gardens. Playing before an exuberant crowd, Phillips performs "American Child," "Radio," "Burning Fingers," "Calico and Rainbows," "Song for Sagittarians," "Ballad for Casey Deiss," "Moonshine" and more.

A young woman is unable to decide between a boxer and folk singer, and ends up losing both.

A film about Alexander Trocchi. Scottish born poet, writer, translator and author of "Young Adam" and "Cain's Book". Part of the film was made at the old Arts Laboratory and includes a discussion with William Burroughs. A portrait of Alexander Trocchi, covering his history as a writer, his interest in drugs, his family life, and ‘Sigma’, the organisation he founded to bring together like-minded people.

Mélissa Lavergne and Normand Brathwaite host a unique musical show where all musical styles collide and where emerging artists rub shoulders with big-name performers.

The Midnight Special is an American late-night musical variety series that aired on NBC during the 1970s and early 1980s, created and produced by Burt Sugarman. It premiered as a special on August 19, 1972, then began its run as a regular series on February 2, 1973; its last episode was on May 1, 1981. The ninety-minute program followed the Friday night edition of The Tonight Show Starring Johnny Carson. The show typically featured guest hosts, except for a period from July 1975 through March 1976 when singer Helen Reddy served as the regular host. Wolfman Jack served as the announcer and frequent guest host. The series also occasionally aired vintage footage of older acts. As the program neared the end of its run in the early 1980s, it began to frequently use lip-synched performances rather than live. The program also featured occasional comedic performances such as Richard Pryor and Andy Kaufman.