Clara Sanchís

A wealthy woman twice widowed, lives with his family and two servants in a shady country house in Galicia in the late nineteenth century isolated from the world to hide a serious incident occurred in the family ten years earlier. This event is subject to certain blackmail the family of which will be released by the arrival at the mansion of two strangers who triggered the investigation of the facts and a change in the future family life.

Anna Luz, a married woman, rethinks her life when she receives the visit of a stranger who claims to be her neighbor from the floor below. His arrival coincides with the entry of a series of extravagant characters who, as in a dream, invade his house. Ana is then immersed in this succession of strange and wonderful events that will forever ruin what until then was a normal life.

Marina, a woman with a glass eye, has the bad luck to be the victim of an assault witnessed by Rafael, a goodhearted butcher, who rescues her from her attacker, a man named Daniel. Rafael has physical problems of his own, but the two stay together as a couple. A baby not Rafael's, for he lost his testicles in an accident is born. Rafael looks forward to raising the child as his own if Marina will consent.

A fragmented view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships.

Aitor is a director making a film about a lonely man looking for love, called “Soul Ache.” While he uses his auditions to meet women, he really longs to cast actress Myriam Mezieres in the film.

Pedro goes out searching for a girl, but the night doesn't seem to be good. While he is talking with a friend, he sees Sara breaking up with a boy. He goes after her, and they end up sleeping in his house. Time goes by and they continue together. But Sara has too many men around and Pablo can't stand that. Their relation is difficult, they love each other but, at the same time, they can not be together.

The tragic story of the encounter between the Spanish conquistador Hernán Cortés and the emperor Moctezuma, lord of the Mexica Empire, through the words and mediation of a woman called Malinche.

It's summer 1970, and the hippie movement has taken over an entire generation. In a beach house, a very unique family begins their summer vacation, which will change everyone's lives: Fernando (the father) an actor, Lucia (the mother) devoted housewife, and their four children- Chucho (the eldest), Elena (the intellectual), Juan (car-crazy) and Veronica (the youngest).

Merlin, shot on 35mm, is an adaptation of Cocteau's play "Knights of the Round Table."

A profoundly feminine drama about the agreements and disagreements between three actresses of different ages united by family ties and separated by generational conflicts, with artistic creation as a backdrop.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Charting the life of Isabella I of Castile, one of the most important women in Spain’s history, Isabel follows her passionate story from childhood to being crowned Queen. From her political struggles within King Henry IV's court to her wedding to Ferdinand of Aragon, the drama encapsulates the passions, emotions and sacrifices of a woman who refused to just be a figurehead and whose outlook was ahead of her time.

Colegio Mayor

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.