Alberto Rincón

Amalio and Florencio are two cabaret artists who divorce their wives and stay with custody of their children. An unscrupulous cheat the two rent both of them the same dilapidated house. There will have to live both trying to get ahead as a team of magicians who happens to be a failure. But thanks to the ideas of their children, both parents are a couple of musical comedy that, despite initial failures, is a great success with the participation of the kids. Moreover Amalio and Florencio try to flirt with girls that are radically different from their wives but the kids will all the impediments that have no future.

David is married and has no children. However, outside of marriage, he has longstanding relationships with Susi and Laly, with whom he has had a child with each. He has promised both of then, separately of course, that when the divorce is permitted in Spain he will separate from his wife and regularize his situation with them. Divorce law is approved and conflicts begin. He cannot marry the two together.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

Iquitos, la primera ciudad en caer