Kaia Varjord

Director Eva Sørhaug (Cold Lunch) reveals the rage and violence lurking beneath seemingly tranquil domesticity in her bold and uncompromising sophomore feature.

Oslo, Norway. After living a traumatic experience, Anna and her son Anders move into a huge apartment building. Feeling constantly terrified and insecure, Anna buys a babycall to monitor Anders while he sleeps.

It's summer and the rain is pouring down. Mathilde feeling bored, wishing it was winter and snow. Then she could go on winter holiday right away. Mathildes imaginary friends Morningbird and Murmelton are small enough to go on winter holiday in the freezer and an big adventure awaits them all.

Meet Dag, a couple's therapist who holds a 90% divorce rate. His philosophy in life is that people should live alone and he's happy to share that with his patients. Dag leads a quiet life and the only thing he loves more than his solitude is prescription drugs. However, Dag's peaceful existence is about to change radically when Eva enters his life.

Javar is a newly qualified lawyer and lives in Frogner with journalist girlfriend Anne - without his family know. He does it well as a business in a dignified law firm, but life consists of many half-truths in order that he could live as he wants, without having to account for his Pakistani family. Someday, brother- in-law of his, who runs a taxi for Taxi123, with a memory stick containing false statements. Fraud is undetectable. Not least because the chief of the tax agency, Hans Gablein, well paid by the taxi owners' accountant to shut up. But when those who earn big money scam understand that Javar have the key, starting a hunt for life and death in the streets of Oslo - lead by cab owner and gang leader Khan. Javar only recourse is to get help to expose corruption in the taxi environment, but he does not know who he can trust. For when monetary sums are in the hundreds of millions, is not a life worth. And in the streets driving cabs with eyes that see everything ...

Hjem

The series follows the first years of Henrik Ibsen, the father of the modern drama. From he is 14 years old, until he moves to Christiania as a 22 year old.