Catherine McLeod

Santa Monica, California, USA

Biography

Catherine McLeod (July 2, 1921 – May 11, 1997) was an American actress who made over sixty television and movie appearances between 1944 and 1976. She memorably portrayed the one woman whom James Garner's character Bret Maverick wanted to marry on the 1957 television series Maverick, in the episode "Rage for Vengeance," and appeared in literally dozens of other series including The Millionaire, Meet McGraw, Richard Diamond, Private Detective, 77 Sunset Strip, Mickey Spillane's Mike Hammer, Bronco, Perry Mason, Colt .45, Lawman, Bonanza, Hawaiian Eye, Have Gun - Will Travel, The Outer Limits, The Virginian, and the Ten Thousand Horses Singing episode of Studio One opposite James Dean and John Forsythe. Movies included Frank Borzage's I've Always Loved You (1946), Courage of Lassie (1946), The Fabulous Texan (1947), That's My Man (1947), Old Los Angeles (1948), My Wife's Best Friend (1952), A Blueprint for Murder (1953), William Witney's The Outcast (1954), Ride the Wild Surf (1964), and Lipstick (1976). McLeod's greatest impact upon American consciousness by far, however, was as purveyor of one of the most ubiquitous catchphrases of its era when she portrayed the woman in the 1963 headache remedy television commercial who plaintively but irritably said, "Mother, please! I'd rather do it myself!" The announcer's voiceover would then intone, "Sure you have a headache... tense, irritable.... but don't take it out on her." Description above from the Wikipedia article Catherine McLeod, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

More info
Matinee Theater
1955