Hiroshi Sugi

This horror tale relates the consequences of a Japanese legend which tells of a man who has to betray his wife in order to achieve power.

Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

A bar girl tries to pass her three children, each from a different father, to rural relatives.

1958 jidaigeki directed by Masaki Mori for Shintoho.

Japanese comedy film.

Japanese crime film.

Based on the novel by Kojin Shimomura. Story of a young boy and his adventures in the country. His idyllic life is shattered by the illness and death of his mother.

Shintoho studio boss Mitsugu Okura was furious that actress Junko Ikeuchi had married against his wishes. In an act of revenge that could have come out of one of his movies, he cast her against the girl-next-door persona she had established to play a dancer who survives a great fall only to become a disfigured beast.

The Man Who Disappeared Yesterday

The descendant of the servant of a cruel and vicious samurai returns to the town where she was born, only to find that a cat who is possessed by the spirits of those murdered by the samurai is trying to kill her.

影法師捕物帖

The treasures of the Aoyamas were buried at the bottom of the sea when a large earthquake occurred years before. Yumi Aoyama is the only person who knows the location, but her family dies one after another through curious incidents, as if the family were under a curse. Yumi is surprised by the ghost of a dead sister who looks the same as the grim figure who jumped into the old well alter stabbing herself with a sword. Fearful that a similar fate awaits her, Yumi seeks the help of her friend Kyoko. Later the ghost appears before Kyoko and her fiancé, Detective Nonomiya. In a haunted cave, Kyoko and Yumi are in deadly peril from those who seek treasures of the Aoyamas.

Snow-Flake

Two lovers lost in the mountains. In what direction do not go, they find themselves in a mysterious forest pond, as if some kind of force does not want to let them go. Once upon a time, over a century ago, there had been a crime, whose shadow still hovers over these places.

A 1943 film.

A small community in wartime Japan learn how to make do with less.

A 1956 alien invasion tokusatsu film directed by Shinichi Sekizawa, the screenwriter noted for his immense contributions to Toho's Godzilla series by providing the screenplays/stories for the majority of the original Showa films.

Emperor & Empress Meiji and the Sino-Japanese War

Saheita, the final heir of a once rich and respectable family, can't refuse the many villagers that come to him for favours and money, even though he is on the brink of bankruptcy. Around town he is better known by his nickname Mr. Shosuke Ohara.

A film dealing with the comings and goings of individuals in the immediate postwar period.

Kekkon Sanjûshi

Jidai-geki about the life of Yasubei Nakayama, a famous ronin who did participate in the revenge against Lord Kira Yoshinaka as detailed in Japan's famous epic Chushingura

Period film about the legendary detective Umon

In 1936 under the war clouds over the Manchurian border, 60-year-old Oshima Shozaburo is concerned about the future of his only son, Ryuji, who has refused to follow in the footsteps of his gambler father and decided to become a doctor. Ryuji leaves home to work at a clinic at a dam construction site where he finds the treatment of the laborers intolerable. But when he challenges the boss, who thinks nothing of murder, he discovers to his astonishment that he is safe because of his father's reputation. Torn between filial piety and his ideals Ryuji is told of the murder of his father by men of a rival gang. He experiences another shock when informed that the woman behind the rival gang is his true mother who was forced to leave his father due to an unwritten code among gamblers.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.