Cy Henty

In the middle of nowhere, there lies a secure facility housing only serial killers. One morning the doors are open and the guards have vanished, but a strange freezing mist surrounds the building, preventing the inmates from leaving. Then, one by one, they are murdered. The survivors bicker, fight and blame each other, but the thing that's killing them looks suspiciously like a traditional 'victim'... A babysitter in a shower, a cheerleader, a camper...

No details about this film (other than the name of the writer/director) were released prior to the sold-out premiere screening at Horror-on-Sea in 2016. No plot synopsis, cast list or trailer was issued. The only image released was the teaser poster. Subsequent to the screening, director Pat Higgins physically destroyed both the master copy and the only back-up live on the stage, effectively destroying that version of the film. Higgins made a new version of the film available to rent through Vimeo On Demand--for only one day-- on Halloween 2017.

Where is Erika Spawn and does she have blood on her hands? The Devil's Music documents the strange story of the notorious shock-rocker whose rise to fame was marred by a series of violent incidents and terrifying rumours.

Everything is working out for Nicole Meadows. She has a great job. She has an adoring boyfriend who has just proposed. She has a doting father who is preparing the wedding. She also has a dark secret. And a cursed engagement ring. Come the wedding day, there will be bloodshed. But at least there will be cake, too.

When Carlton Layton arrives home to find his wife in the arms of another man, he dons the outfit he wears as a children's entertainer and slaughters them both, fleeing into the night. Five years later, Carley Lewis is asked to babysit on Halloween night whilst the child's parents go out to a party. But someone wants the child. Someone we know only as "The Cleaver".

An anthology film set in a brothel, Bordello Death Tales incorporates three shorts by young horror directors, linked by a sinister venue: Madame Raven's bordello. The bloodletting begins in James Eaves' The Ripper featuring a mild-mannered psychopath. The second story, Stitch Girl, is Al Ronald's homage to Bride of Frankenstein. The final short is Pat Higgins' Vice Day showing how a politician has developed a way of keeping his private life away from the prying eyes of journalists.

3rd part of the saga Slasher House.

Bill, an ex-boxer, is a failure in life but has no idea what to do about it -- until he meets local dodgy businessman Hamid 'Anything-U-Need' Choudhury. Hamid convinces Bill that there is serious money to be made in man vs animal boxing bouts. Bill cashes in his life savings to buy two meters of living, breathing, armor-plated giant mutant mantis shrimp with a smashing right hook, and sets off for London to fulfill his dreams. Along for the ride are his best friend Steve, ex-condom-factory employee and amateur boxer, Steve's highly-strung girlfriend Shaz, and a misunderstood, club-clawed crustacean who is not as stupid as it seems...

Following a visit from a mysterious femme fatale, detective Francis Alban finds herself embroiled in a missing persons case in which all is not what it seems. The trail leads her to a 1960s serial killer who was never caught and a violent gangster. As Detective Alban delves deeper into the criminal underbelly of Swinging Sixties London, will she uncover more about herself than she is willing to face? Past crimes, revenge and obsessive love collide in this haunting and surreal Horror-Noir.

Meet Axel Falcon, a dedicated cop determined to cleanse the streets from murder and corruption. But tragedy strikes when his family is brutally taken from him. With nothing left to lose, Axel embarks on a relentless quest for vengeance, following the enigmatic clues left behind by an unknown assassin.

After a rehearsal with her band, Tess meets Edward, and the two find themselves entangled in a deadly game of consequences. A remake of Carlo Lizzani's 1983 film "The House of the Yellow Carpet" which switches its subgenre from Italian giallo to British psychodrama.

The film is described as a weird and wonderful merging of shades of folk horror, the supernatural with dadaist humour and a quaint British eccentricities that are long gone in the cinema of today.