Renate Roland

A German comedy from 1972 directed by Franz Josef Gottlieb. Mommsen Gymnasium director Taft reminisces about his own time as a student.

Womanizing thug Klett is sprung from the courthouse by two accomplices, then sets about planning the big heist of a local bank, equipped with a cache of high-powered weapons he's acquired from an American army outpost. Together with his faithful protégé, who reluctantly on-boards his young girlfriend and her AWOL brother, the quartet bumble their way through the supposedly full-proof plan that aims to deliver them a cool million in cash and a new life in Australia. Predictably, things deteriorate quickly at every turn.

A strange case baffles the police and the citizens of a German small town. A two-year old girl has disappeared. There are suspects, innocents, guilty ones and a web of lies. It's Saturday afternoon, and Achim's parents are invited for a topping-out ceremony. The neighbor's daughter, Monika, is the babysitter for Achim and his little sister Kathrin, but Monika doesn't take the job too serious. She'd rather go for a ride with her boyfriend. Through a unforeseen row of circumstances, Achim becomes the murderer of his sister, and hides the body in a wrecked car on the scrapyard. When the parents return home, a frantic search for the little child begins. Only the father seems to know the truth…

Herbst in Lugano

Der Madonna-Mann

Jacob hinter der Blauen Tür

Zielscheiben

Vier gegen das britische Pfund

Dreht euch nicht um – der Golem geht rum

Leiche gesucht

Die Fliege und der Frosch

Drama about the life of a travelling salesman.

Deutscher Filmpreis

Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

Commissioned to make a working-class family drama for public television, up-and-coming director Rainer Werner Fassbinder took the assignment and ran, dodging expectations by depicting social realities in West Germany from a critical—yet far from cynical—perspective. Over the course of five episodes, the sprawling story tracks the everyday triumphs and travails of the young toolmaker Jochen and many of the people populating his world, including the woman he loves, his eccentric family, and his fellow workers, with whom he bands together to improve conditions on the factory floor.