Nadia Saiji

In the contemporary Tunisian thriller Bedwin Hacker, a female media pirate - holed up in a remote outpost in the mountains of Tunisia - figures out a way to take over the television and radio airwaves in France and North Africa to broadcast political messages. The irritated French Intelligence service closes in on her, which leads to a tit-for-tat game of intrigue between the hacker and her pursuers. Helmed by a female director, this film is of some historical significance, given its unusually frank, straightforward, and accurate portrayal of the day-to-day experiences of north African women.

Nadia is a 45 year old female professor at the University of Tunis. She is married and has a daughter of 18, Sarra. For some time, Nadia has problems in her marriage also symptoms of menopause are inseparable. The physical and psychological state deteriorates inexorably Nadia.

A photographer and her lover travel to Morocco for photo shoots. While traveling there she has erotic adventures with residents of the area. But she ends up having an affair with someone who ends up betraying her and she murders the man.

Set in May 2004. Tunisia is full of excitement: it is the Arab summit. In this frantic and burlesque atmosphere, an electrician, a choreographer, a sick man, and a professional mourner cross paths without ever really meeting, striving to deal with their personal problems.