Girija

Thirumbi Paar, directed by T. R. Sundaram, was an interesting film in which Sivaji Ganesan played a role with negative shades. The character dabbles in avenues such as journalism and politics. T. P. Muthulakshmi plays the dumb wife of an elderly husband (K. A. Thangavelu) who goes to work early. Sivaji Ganesan, a seducer, who sneaks into the dumb woman’s house, alters the clock to send the husband away well before the usual time. This sequence was mercilessly scissored by the censors and what was left lost its touch of satire and innuendo!

Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.

Thota Ramudu faces opposition when he falls in love with a princess. He then seeks the help of a sorcerer, who secretly plans to sacrifice Thota Ramudu to Goddess Pathala Bhairavi.

Dr. Murali Krishna loves Anuradha in college but keeps to himself. Anuradha becomes the victim of her classmate Sarala's jealousy and trickery and complains about Murali to Principal. The event results in hatred between them and Murali losing scholarship. Murali gets help from his uncle Lingaiah and goes to London for higher studies. Lingaiah in return plans to give his daughter Lakshmi to Murali upon his return. Lingaiah appoints Anuradha as caretaker of innocent Lakshmi. Anuradha comes to know about their plan and sacrifices her love for her cousin Lakshmi. Lakshmi has different plans; She is in love with her cousin Yoganandam and not interested in Murali. She asks Anuradha to write replies to Murali's letters on her behalf. Anuradha goes through a lot of struggle in the process.

A policeman attempts to discipline his rebellious son, but his efforts go in vain as his son starts resenting him.

Ramudu and Bheemudu are look-alikes who are both fed up of their respective lives. They incidentally end up taking each other's place in their homes, which leads to hilarious consequences.

Manase Mandiram (English: The Heart is a Temple) is a 1966 Telugu language romantic drama film, produced by Yarra Appa Rao on Sri Krishna Sai Films banner and directed by C. V. Sridhar. Starring Akkineni Nageswara Rao, Savitri in the lead roles and music composed by M. S. Viswanathan. The film was a remake of Tamil film Nenjil Or Aalayam (1962), Sridhar remade the film in Hindi as Dil Ek Mandir (1963). It was also remade in Malayalam as Hridayam Oru Kshethram (1976), and in Kannada as Kumkuma Rakshe (1977).

Bhaskar (Akkineni Nageswara Rao) and Vasanti (B. Saroja Devi) are college mates who clash when she complains to the college principal about a love letter he sent her. Later on realizing her mistake, Vasanti apologizes to him and the two fall in love. Vasanti's elder sister, Geeta (Krishna Kumari), supports the family by stitching clothes.Bhaskar rents the room upstairs in their house. He falls ill and in nursing him, Geeta falls in love with him. She confides her love to Vasanti, who decides to sacrifice her love for her the sake of her sister and convinces Bhaskar to marry Geeta. Bhaskar initially neglects Geeta. On finding out, Vasanti writes to him that their sacrifice, made for Geeta's happiness, would mean nothing unless he is a good husband to Geeta. Bhaskar relents and Geeta and he have a son. Vasanti joins them and Geeta suspects that there is something on between Bhaskar and Vasanti and makes Vasanti leave the house.

Prakash works for his childhood friend Shekhar, a rich businessman. Shekhar's mother develops a prejudice against Prakash and turns her son against him, leading to a series of unfortunate events.

Pantulamma (Telugu: పంతులమ్మ) is a 1977 Telugu drama film directed by Singeetam Srinivasa Rao. The film won the Nandi Award for Best Music direction for Rajan-Nagendra and Lyricist for Veturi Sundararama Murthy and also Laksmi for best actress.

Zamindar Janardhan Rao, a paterfamilias, holds high esteem in society. One of his sons, Bachi, is a vagabond and malicious, his misdeeds increasing day by day. After Janardhan Rao cuts his allowance, Bachi tries to make a theft, and his father collapses with a heart attack after obstructs his way. Before dying, he reveals the existance of a hidden treasure of their family hierarchy.

Venu, a poor man, falls in love and marries Radha, a zamindar's daughter. When Venu moves into the zamindar's house,there are multiple problems Venu has to battle.

Radha's father brings a marriage proposal for her, which she refuses and runs away from home. Later, she comes across nine people, each representing a specific human behaviour.

The story runs around a cute family drama in a village. Kistayya (NTR) is an innocent physically challenged man who is the son of SV Ranga Rao's Brother. SVR & his Brothers are the Richest formers in that village.Radha(Savitri) is adopted girl by NTR family, who fell in love with NTR by seeing his innocence.Due to some bad situations held in their family separates SVR & NTR family. The rest of the story runs on the things happened in the family.

Once upon a time, there was a kingdom Udayagiri, its king (Mukkamala) has two sons Pratap (N. T. Rama Rao) a valiant man and Jagajithu (Lanka Satyam), a poltroon man that envies his brother. Pratap's life ambition is to couple up with Devakanyas the angels Jayanthi/Indrakumari (B. Saroja Devi), Nagini/Nagakumari (L. Vijayalakshmi), Varuni/Varunakumari (Jayanthi), and Marichi/Agnikumari (Bala). Upon knowing this, the angered king ostracizes him from the country.