Linda Schagen Van Leeuwen

A young traveler picks up and elderly woman on his way from Holland to Monte Carlo.

He's the "Rocky" of the 15th century-defender of the poor, enemy of evil, champion of justice. He's fearless and the strongest man in the land. He's ready and willing to take on all wrong doers-rich and poor. Accompanied by a lovable, meek little friend, his quest takes him on an unforgettable journey. Swamp monsters, knights in armor, duels, royal pageantry, and damsels in distress all abound in this story of timeless values. In the spirit of "Robin Hood," it's a robust, romantic tale: a feast for the eyes and a joy for the heart.

Lieve is a Belgian woman who marries just as World War II is beginning. When the Germans invade, her husband goes off to fight them, but he swiftly returns home after the invasion succeeds. Later, he decides that the Germans are on the right side of things, and goes off to fight for them on the Eastern Front. Soon afterward, a resistance fighter is stranded on her doorway, and she hides him. The two of them fall in love, and the conflicts and joys of this relationship cause Lieve continued grief well after the end of the war.

The second movie version, now in color, of Flemish (heimat-)author Ernest Claes' classical novel, titled after the nickname (Dutch 'the White', referring to a blond male) of the main character. The smart but naughty farmhands son's eternal mischief, pranks and disobedience drive his elders (especially teachers, family and father's grumpy employer, a rich farmer, but also neighbors and even the kind curate whose liturgical server he is) and classmates to despair in a time when a boy's punishment was still inevitable, swift and often severe; thus when his mother catches him skinny dipping she takes all his clothes home, forcing him to a long walk of shame, dreading dad's wrath all the way. This version also stresses the story's social and Flamingant aspects.

A renowned conductor suddenly pulls out of an evening rehearsal of Madame Butterfly. The opera director senses something is going on and forces the musician to explain himself.

The Inquisition is in full swing in 16th century Flanders. Wanted for his dissident writings, the alchemist doctor Zeno has been wandering Europe under an assumed name for twenty years. But he remains a non-conformist. He returns to his native Bruges, where he thinks he has been forgotten. In this silent labyrinth where the faces of the past resurface, he rediscovers his identity and thus signs his death warrant.

The 1950s. A family has its annual family reunion to commemorate the anniversary of mother's death. People drink and eat heavily and after a while all restrictions are lost. Family members start venting old frustrations, discussions and tensions. Eventually one homosexual young man gets depressed and a drama escalates.

Thomas, in his forties, holds an important post in a slaughterhouse. He is engaged to Marie-Rose, the daughter of the director, whom he hopes to follow later. In a routine examination in the hospital, however, he finds out that he has cancer and his days are counted. The upheaval that he suffers as a result, however, does not take long, his decision is certain: he will use the short time to clean up some bad guys. What else can he do now?