Gary Betsworth

In the center of a monotonous suburban existence, Sarah lives silently and in subservience to her icy husband Patrick. They have been together far too long, and Patrick's affections for his wife have all but vanished. Instead, his sexual urges are tempting him to lust after their own son. Realizing how far gone her husband is, Sarah undertakes drastic, shockingly sickening measures to salvage some sense of her life and purge her years of festering resentment.

Acting as both pseudo-sequel to, and remake of, Cutting Moments, Buck's follow-up changes the focus from the matriarch to the father... or, more fittingly, the many fathers... and the sins they pass down. Eschews explicit violence for a more psychological approach, to a no less harrowing result.

The bonds between Naomi and Ely are tested when they fall for the same guy.

Three narratives ("Cutting Moments," "Home" and "Prologue") combine to create a shocking trilogy of modern American life, a portrait drawn with brushstrokes of hidden violence and disturbing cruelty. Directed by Douglas Buck, this unflinching film reveals what lies behind the drawn curtains of so-called "ordinary" households.

A lonely young monster with deadly black eyes encounters a kidnapped and abused young boy whose eyes have been sewn shut.

Based on the bestselling book by Candace Bushnell, Sex and the City tells the story of four best friends, all single and in their late thirties, as they pursue their careers and talk about their sex lives, all while trying to survive the New York social scene.