William Alland

Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

Documentary about the battle between Orson Welles and William Randolph Hearst over Welles' Citizen Kane (1941). Features interviews with Welles' and Hearst's co-workers also acts as a relatively complete biograph of Hearst's career.

A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.

A Scottish warlord and his wife murder their way to a pair of crowns.

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.

Janie is a telephone operator who is caught up in the lines of love of three men: car salesman Tom, Chicago millionaire Dick and auto mechanic Harry. But Janie just can't seem to make up her mind between them. While fantasizing about her futures with each of the men, Janie spends her time desperately trying to juggle between them until she can make a decision.

The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.

Documentary looking at Orson Welles and the production of the film CITIZEN KANE fifty years ago, considering the furore that accompanied it and the real life press baron William Randolph Hearst upon whom Kane is based, and his efforts to halt the film, destroy the negative and persecution of people involved with its production and showing. It includes BBC interviews with Welles made in 1960 and 1982, and film historian Robert Carringer looks at the scenes that never made it to the screen. American film critic Pauline Kael also analyses the film's enduring appeal. Extracts from "The RKO Story" (producer: Rosemary Wilton) and "Yesterday's Whitness" (producers: Christopher Cook and Stephen Peet).

While an escaped convict, Moose Malloy, goes in search of his ex-girlfriend Velma, police inspector Michael O'Hara attempts to track him assuming him to be a prime suspect for a number of mishaps.