Ahmad Abu Sal'oum

A free spirited woman dancer, Kamar, finds herself the lonely wife of a prisoner, Zaid, and away from everything she loves until she returns to the dance, defying societys taboos. At the dance Kamar is confronted with Kais, a Palestinian returnee. Sparks fly between Kamar and Kais, creating more than a passionate, emotional dance for the both of them. Matters become even more complicated when Zaid's sentence is extended. Kamar's life is thrown into turmoil as she becomes increasingly attached to Kais, and caught in the midst of her desire to dance and breaking the family and society taboos of the prisoner's wife's role while life under occupation rages on.

Haifa, nicknamed after the city of his love and hope, goes around and comes around in a Palestinian refugee camp. Although he is everybody's fool, there are many things that only he knows. He is closely related to the family of Abu Said, a former policeman who gains new hopes from the political developments. Oum Said, his wife, hangs her hope on the imminent release of their eldest son, Said, from jail. She tries to find him a bride to secure things for the future. Their youngest son, Siad, is cynical and rebellious. He refuses to believe things. Sabah, the 12 year old daughter is romancing the future and wants to find out what's in it for her. The different stories are interwoven into a very timely insight into the current Palestinian mind.

In a dump he walks through on his way to school, an Arab lad in Jerusalem finds a small, red electronic game. He picks it up and plays with it as he walks. Security cameras follow him. Near the school entrance, one of his teachers confiscates it, and the teacher, in turn, has it taken from him by two Israeli soldiers. We follow the toy, as do the omnipresent security cameras, into the hands of a café owner, and then to a Japanese tourist, a nun, an Orthodox boy, and more. Its very presence, with its lights and beeps, causes suspicion and sometimes alarm. Is this a world in which it's unsafe to carry a toy?

On the way to the market, the Israeli chicken farmer Marziano and his Romanian worker are stopped at a new roadblock. Marziano, the farmer, finds himself confronted with Nabil, a former worker in his stalls, now a police commander. In the burning heat of a merciless sun, it ends in a cockfigh

"At eight o'clock, it's Laila's birthday, okay?" Palestinian judge turned cab driver Abu Laila's wife reminds her husband. But on his young daughter's birthday, like any day, Abu faces a nerve-wracking shift in a Ramallah yellow cab armed only with an ex-jurist's misplaced pride, a father's loyalty, and a sticker reminding passengers that smoking and carrying AK-47s are prohibited. Rather than address politics or document holy war heroics and villainy, Laila's Birthday focuses on the toll that the unending Palestinian-Israeli conflict extracts from civilians clinging to both employment and a semblance of normal life amidst chaos and corruption, missile attacks and bursts of gunfire.