In a dark and spare theatrical space, four characters use gesture, language, and movement to explore themes of desire and mortality.
A love triangle, accompanied by traditional German Christmas songs.
Paula–’je reviens’ is one of Schroeter’s first experiments in choreography, as he stages actors in an empty room.
La morte d’Isotta is a passionate melodrama inspired by Richard Wagner and Comte de Lautréamont, with Schroeter appearing in a principal role.
Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music – with different approaches to love, suffering, and death.
