Suzanne Sheed

Schroeter’s film is a chronicle of Germany from the Nazi era until the economic boom of the 1950s and 1960s, centering on three women who search for a career as singers and dancers.

Paula–’je reviens’ is one of Schroeter’s first experiments in choreography, as he stages actors in an empty room.

Fusing Shakespeare‘s tragedy with the Verdi opera, Schroeter's Macbeth is a fascinating television experiment shot entirely in a studio with several electronic cameras. As Schroeter would recall, "I arranged the Verdi music for a quartet of violin, accordion, piano and oboe, but modeled the rhythms on Argentinian tangos and boleros. The actors sang with horrifying, shrill voices.... The use of video allowed me to produce extraordinary colors.... Of all my films, Macbeth was most unwelcome: Audiences don’t like their Shakespeare to be presented in this way, but I do not differentiate between kitsch and culture...". - MoMA