Laurent Lacotte

A college stands in the middle of verdant grounds. One day, Édouard, a student, suddenly falls sick. The college doctor is unable to diagnose the young man's illness. Anna, the college director, calls in Édouard's two brothers, professional soldiers, in the hope that they will help her discover what the mysterious illness is.

Drift away

Nastassia Philippovna finds herself juggling the affections of four men over the course of a single evening. One is her benefactor, the bourgeois Totsky. Another is the opportunistic Ganya, whom Totsky has promised 75,000 rubles if he will marry Nastassia. Rogozhin offers Nastassia 100,000 rubles for her hand. And the “idiot,” Prince Myshkin, loves Nastassia madly and vows to “save” her.

Two friends, Marc and Nicolas, are a little lost in life. Malika, a foreigner living on the fringes, struggles for her survival. Perhaps a love affair begins between Marc and Malika - unless it's something else entirely.

Julien Schulmann is a comedian. He has just lost his father, a Polish Jew and extermination camp survivor. Before he died, his father left a "will" in which he requested that his other son, Pierre, who hasn't been heard from for two years, spread his ashes in Poland. His father's preference comes as a rude shock for Julien, and it opens a chasm inside him, slowly bringing to light an unspeakable secret.

Before he marries his current girlfriend, eccentric speech therapist Richard (Serge Bozon) asks his friend Raphael (Mods star Laurent Lacotte) to help him destroy photos kept by his ex-girlfriend, Mademoiselle Dornet, as a record of their relationship. Raphael in turn enlists an actor (Laurent Le Doyen) to pose as a Turkish doctor and convince Dornet that she must rid herself of the photos in order to cure her depression.

On New Year's Eve, accompanied by a bottle of champagne, Emile, 35 years old, signs up to Meet Me, a famous Internet dating site, with a good resolution for the new year: to find love. There are many men on Meet Me: cynics, comics, a few oddballs, and even great romantics. Emilie is far from imagining what is waiting for her in real life.

Contemporary Paris, mid-July. Guillaume arrives in the capital to caretake a large apartment until the end of the summer. Lucie, the apartment’s owner, and a friend of his mother’s, welcomes him… then suddenly disappears.

During the First World War, Camille (Sylvie Testud), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot. As she lives near the Western Fromt she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.

The French Trilogy showcases a series of 62 photographs taken by Philippe Terrier-Hermann with 25 actors in 6 French regions echoing his previous project, The American Tetralogy. Questioning the relationship between cinema, landscapes and representations, this project features a song by Edward Barrow and was visible in public space in France during the summer of 2013, through a distribution system borrowing from advertising strategies.

In a near future where artificial intelligence reigns supreme, human emotions have become a threat. To get rid of them, Gabrielle must purify her DNA by going back into her past lives. There, she reunites with Louis, her great love. But she’s overcome by fear, a premonition that catastrophe is on the way.

An innocent young man becomes enamored with a mysterious girl. He is lured into "Black Hole" - a dark, obscure video game world of avatars with deadly serious intentions in the real world.

A young woman begins a new life at the Apollonide bordello, a high-class brothel in Paris at the turn of the 20th century.

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.