Uroš Đurić

In this sequel of "We Are Not Angels", a highly successful Yugoslavian comedy, a former playboy must cope with his daughter's adolescence, as well as numerous boys that keep knocking at her doors. A worried father thinks she may get in type of troubles he used to cause when he was just the age of her wooers.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

Angel and the devil fight for the soul of a Belgrade playboy who made a young girl pregnant.

The Parade, in a tragicomic way, tells the story about ongoing battle between two worlds in contemporary post-war Serbian society - the traditional, oppressive, homophobic majority and a liberal, modern and open-minded minority... The film, which deals with gay rights issues in Serbia, features footage of the 2010 Belgrade gay pride parade. The film introduces a group of gay activists, trying to organize a pride parade in Belgrade.

Belgrade, the summer of 1991. Yugoslavia is falling apart. Gavran can't get a driving licence because he is color blind. He is a rural Bosnian introvert obsessed with trucks. So, as soon as he is released from prison, he steals a truck to go on a joyride. Suzana, a city girl, discovers she is pregnant, but until she's due for an abortion, she decides to go to Dubrovnik. She hitchikes and Gavran almost runs her over. She is unhurt, but she blackmails him to take her to Dubrovnik. Two people from different worlds, equally removed from the real one. For him she is the first woman he can talk to; for her he is just another idiot to add to the long list of them that she has so far compiled. But the pressure of danger and the intimations of war force them together. The world about them has become so absurd that they seem to each other the only sober people left.

In a world full of fear, where love is slowly drifting away and becoming something unreachable, we come across unfortunate people, such as Rasha and his demanding sick father. Living on the edge of existence during pre-apocalyptic time, he becomes a guard of an old hotel, and stumbles upon strange characters with whom he shares misfortune.

In 1989 a youth radio station, B-92, started up in Belgrade. It almost immediately became a symbol of the resistance to Serbian nationalism and all that Slobodan Milosevic decreed. Here, the young radio workers give a candid account of life in Belgrade throughout the years of war. They also describe their own contribution, despite all the authorities' efforts to suppress them, to the liberation of their city and their country.

'Bijelo Dugme' was a legendary rock and roll band of the former Yugoslavia that is still enormously popular. The leader of the band was Goran Bregović - today a globally acclaimed composer of film scores and world music. This documentary, full of exciting archival footage, great music and juicy confessions deals with the specific time, culture, friendship and politics of the band, as well as the effect that Western popular culture had on the youth in this vibrant socialist country before it disintegrated.

This film follows two Belgrade youths on their rise to gangster legends in a decaying society.

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

Akademija Republika shows a group of people gathered around the club from 1981 until 1995 and how it changed and influenced the cultural and night life around them.

By definition, punk is a subculture, alternative culture and youth culture based on the interaction of cultural elements different from the elements of popular culture and other sub-genres.It has its own distinctive music, ideology, dress code, visual identity, dance, literature and film. Punks are mostly young people with a different opinion, who in common have the spirit of anti-establishment and non-recognition of the canon. As a musical direction, it existed in full swing in the 70s and 80s of the last century, exerting an influence on the rock scene of that time. How did appear in ex-Yugoslavia? What were the "hotspots"? Did he pose a danger to the state and socio-economic system of that time? Can one see punk as a way of life?