Tamaki Katori

Pinku from 1965.

Pinku from 1965.

Pinku from 1967.

The roaming outlaw Okayo, also known as Benten due to the prominent tattoo of the Buddhist Goddess of Love emblazoned across her back. On the run from her persecutors, who seek to claim the tattoo and its skin canvas as a bounty, Okayo finds a safe haven in the arms of the mysterious shakuhachi (bamboo flute) playing Seigaku, himself tattooed with the image of Kisshoten, the Goddess of Prosperity.

Pinku from 1970.

A famous actress is being blackmailed with incriminating photos by a gangster trio and takes terrible revenge.

A faction of the Communist Party puts Tokyo rocked by demonstrations that they start. Despite this marked the inner circle of more uncertainty and group sex than determination and morale. When the police forcing them to go underground, and the mysterious Suzuki joins, starts the internal tensions in the group take over.

During a fever, Tateo, the male protagonist believes he is dying and has the hallucination that his beautiful wife, Reiko (Tamaki Katori), the daughter of a wealthy family, is having an affair w/ another man. He then tells her an ancient Chinese story: the ancient Chinese philosopher Zhuangzi wanted to test the faithfulness of his wife, so he faked his own death; the wife was grief-stricken and went into mourning. While funeral arrangements were in progress, a handsome young man came to call on Zhuangzi. Zhuangzi's wife soon fell into love w/ the young man and decided to marry hi. However, the young man fell ill; his servant said that the only medicine to cure him is human brain. Zhuangzi's wife eventually decided to break his husband's coffin and take his brain. However the young man turns out be Zhuangzi in disguise.

An office worker who dreams of a peaceful happiness with her boyfriend is forced into prostitution by yakuza.

Pinku from 1971.

Pinku from 1971.

Pinku from 1966.

Three stories of torture, set in Japan's Sengoku, Kan'ei and Genroku eras.

A critique of the Japanese family, seen here as militaristic, absurdly incestuous and patriarchal. Nihilistic destruction by the young ones seems to be the only way out. This should be seen as Wakamatsu’s answer to Nagisa Oshima’s The Ceremony, made in the same year.

A black and white movie by Osamu Yamashita.

Probable Pink movie from Koji Wakamatsu.

Three women are kidnapped by a sadistic lunatic and forced to "entertain" his co-workers and friends.

Pinku from 1966.

The lustful desires of a bourgeois family for a "meeting".

A man who was once a student activist marries the daughter of the head of a big trust company. He uses his position as an elite salaryman to do whatever he pleases. However, a shadow from his past starts to creep into his life...

Pink film, false sequel of Resume of Love Affairs.

Pinku from 1965.

Oiroke sakusen

1962 Japanese movie

Mishima has just committed suicide. Two couples meet by accident at an inn in the countryside, the man and the woman, now, each with a new partner, who knew each other already for ten years...

Pinku directed by Kôji Wakamatsu.

Pinku from 1970.

Second Pink film by Wakamatsu

Pinku from 1966.

Pinku from 1969.

1959 Japanese movie

Set in Uwajima, Shikoku, an action film starring Akira Kobayashi who uncovers evils related to pearl farming.

Japanese crime film

A sharpshooter kills two prisoners in a police van at night. The guard on the van is suspended for six months; he's Tamon, an upright, modest man. He begins his own investigation into the murders. Who were the victims, who are their relatives and girlfriends, who else was on the van that night? As he doggedly investigates, others die, coincidences occur, and several leads take him to the Hamaju Agency, which may be supplying call girls. Its owner is in jail, his daughter, the enigmatic Yuko, keeps turning up where Tamon goes. Tamon believes he can awaken good in people, but has he met his match? Will he solve the murders or be the next victim? And who is Akiba?

Takuya witnesses the homicide of the detective leading an investigation into the murder of the chairman of the People’s Economic Association, and he disguises himself.