Mary Miles Minter

Anne Shirley, an orphan, is taken into the lives of a generous farmer and his sister. She grows from an adventuresome young lass into a charming and much sought-after young lady.

Lizette (Mary Miles Minter) is an orphan girl who is known to be very innocent. One day, the wealthy Henry Fauer (Eugene Forde) adopts her after seeing her selling news papers. She is now raised in his enormous mansion and is introduced to the posh life. Lizette, however, doesn't know how to deal with it and has no idea about acting like a real society woman.

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

First episode of a series of reports on movie stars. Those seen include Douglas Fairbanks, Montague Love, Mary Miles Minter and James Kirkwood and various film studios.

The Eyes of Julia Deep is a 1918 silent comedy-drama film starring Mary Miles Minter, directed by Lloyd Ingraham. The film is based on the short story by the same name, written by Kate L. McLaurin. It is one of the few films starring Minter which are known to have survived.

When an Arizona ranchman (Willard Louis) is elected senator, he heads for Washington with his daughter, Judith Baldwin (Mary Miles Minter). But they leave behind ranch hand Tod Musgrove (Monte Blue), who is in love with Judith. In Washington, two men propose to Judith -- Congressman Hamill (Guy Oliver) and Robert Courtney (William Boyd). Since she doesn't know which one to pick, she puts them to a test at her aunt's woodland cabin.

Lady Marjorie Donegal becomes a nurse in hospital, much to the dismay of her aristocratic family. She falls in love with one of her patients, a commoner labor leader.

George Periolat plays a dual role in this film, initially as Joseph Sayles a sickly old man who has taken his daughter, Rhoda (played by Mary Miles Minter), overseas after a quarrel with his family. She yearns to return home, but he has disowned his past. After his death, Rhoda ventures to America on her own. She nearly becomes destitute for a lack of money but happens upon some questionable fortune as she takes on the chores of Rosy Taylor after inadvertently finding an envelope with money in it. Rosy had been hired as a housekeeper (thus the money), but has passed away before actually showing up for employment.

The wife of sculptor Roger Heath is killed by a maniac because of Roger's madly jealous admirer Olivia Larkin. To care for his home and son Peter, Roger hires Irish immigrant Nora O'Hallahan as a nursemaid whom he realizes is possessed by the soul of his departed wife.

The story of Swedish silent film actress Sigrid Holmquist's life (1899-1970), by using the silent film medium. It consists of already existing film clips from the 1910s and 20s. Sigrid is played by eight different stars from her era, and she also plays herself. Sigrid Holmquist was born in Borås, Sweden and her stubborn spirit led her to become a movie star in Scandinavia and Hollywood before retiring from the movies in 1926. An experimental film project.

After the death of her father, a friend hides Dimples' inheritance in a doll, which Dimples carries to her new home at her aunt's boardinghouse. Meanwhile, having just ended his engagement to Eugenia Abbott and now looking for rest and relaxation, the wealthy Robert Stanley also becomes a boarder at the aunt's, and he and Dimples quickly fall in love. Then a stock market panic puts a severe strain on Robert's assets, and he must get a lot of cash in order to avoid a disaster. Dimples finds out, takes the money from the doll, gives it to Robert's broker and, as a result, saves her sweetheart's financial empire. Once again solvent, Robert can let his mind move back to romance, and so he and Dimples start planning their marriage.

Mary Miles Minter is the title character. Pat (Minter) is a little orphan who has been raised around the circus. Her foster father is Toto the clown (Neely Edwards). Toto hopes to marry Pat until the day the circus comes to a Southern town and she meets handsome Dick Beverley (Jack Mulhall). Beverley falls in love with Pat and takes a job as trick rider just to be near her. Beverley's aristocratic parents (Winter Hall and Helen Dunbar) find out about his new job and insist that he come home. Two of the five reels survive.

Humanitarian Roberta induces her father to hire former convict, Bill, as his gardener. When she leaves on vacation, Bill steals her jewelry and eventually sells a brooch to her boyfriend, Richard, who unknowingly gives it to her as a present.

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

Through the death of his father, Benton Cabot is left with nothing but a small mountain cabin which he has never seen. He goes to take up his property and in the mountains meets Emmy Garrett, an untutored but attractive girl, just budding into womanhood.

Rich young Joan Hope is ashamed of how her father made his money--as a chewing gum magnate. While taking a train trip, she meets the Countess of Crex, a member of the Russian nobility--who is, in reality, a jewel thief.

A small-town girl returns home from schooling in the East to find that her father's small store and indeed the whole town are in danger of being eliminated by a ruthless land developer. The developer has a son who falls for the young girl, and together they try to come up with a plan to save her father's store and the town.

Orphan Mary Wade, is the ward of a family of farmers who keep her busy with drudgery. Mr. Jenkins, the head of the household, makes advances to Mary, she flees to the city with her dog Zippy and lands in court for imitating a beggar who pretends to be blind.

Mary Miles Minter is Sylvia, the niece of a man who leaves her a fortune. The money is in the hands of his lawyer, Baxter, who uses it to support his ambitious wife and daughter. Sylvia comes to Baxter's home and it's obvious she's not wanted there. Arnold, Baxter's son, is wasting his life away with drinking and nightclubbing, but Sylvia sweetly influences him to straighten up.

A crusty old sea captain, who hates society, lives in the hulk of his ship with his granddaughter whom he prevents from meeting people.

When a young woman's great romance is interrupted by the influence of her lover's parents, she turns to her art as a violinist to console herself. As she is about to achieve her highest triumph, she is suddenly confronted by the return of the man she loves, and she must make a choice.

Tillie Getz, the eldest daughter of Jacob Getz, a brutal, driving father, lives in a Pennsylvania Mennonite village. Her Mennonite aunt leaves a will by the terms of which Tillie will inherit a small fortune if she has joined the Mennonite church by age eighteen. A plot is hatched by the lawyer who drew up the will and an attempt is made to force Tillie into a marriage with Absalom Puntz, an undesirable young man, sharing her fortune being its end.

Ann Annington (Minter) writes book reviews for a newspaper and when a reporter fails his assignment to get an interview with the noted author Harold Hargrave (Glass), she undertakes to meet the young man. She rents the room next door to his work shop and by impersonating a maid soon wins his good graces.

Judy, an orphaned waif, lives with Grandpap Ketchel, a cruel and often brutal man. The sole protector of little Denny, Ketchel's grandson, Judy is forced to accept the attentions of Jim Shuckles, whom she abhors and who has compromised her sister Olive.

A father who despises his daughter, a boyfriend who refuses to marry the girl he knocked up, and a mother caught in the middle.

Viola Drayton (Minter) has a fascination for fairies, but real life intervenes when her father, a colonel (W.T. Carleton), is called off to the European War (that's what they called World War I in early 1915). He leaves Viola in the care of the Nevisons (Herbert Wilke and Ina Brookes) and gives them thirty thousand dollars to invest on her behalf. When word arrives that Drayton has been killed in battle, Mr. Nevison takes Viola's money for himself, but he squanders it and his wife has to take in boarders. Viola hates her life at the Nevisons so she runs away and gets a job at a theater playing...a fairy.

June Tolliver is a Kentucky mountain girl whose family is feuding with the Falins. But their differences are temporarily put on hold when revenue officer John Hale (Antonio Moreno) comes around. He falls in love with June and sends her to the city to get an education. When she returns and the feud breaks out once again, June tries to become a peacemaker between the two families.

Because he believes that romance is dead, the city editor wants to can the "advice to the lovelorn" column. Rosalie Beckwith, the column's author, naturally disagrees with him. The editor suggests that she prove him wrong by seeing if she can find romance within a 40-mile radius of the city.

Publisher Burton exposes politician Jarvis as a crook and is run out of town. He asks his daughter Sylvia to turn the newspaper over to his editor Frank. Instead, Sylvia fires Frank and takes the publisher’s duties herself.

Stars of Yesterday documentary film.

Iris Lee is reared in the small town of Dalton by her deceased mother's friend, Martha Kane, and when she reaches adulthood, Martha's son Jim falls in love with her. When Iris fails to return his affections, Mrs. Kane treats her so coldly that Iris decides to leave the stuffy little village for the metropolis. On her journey, she accepts a ride with Jack Andrews, but after he attempts to kiss her, she leaps from the car and walks the rest of the way. While singing in the choir of a large metropolitan church, she is discovered by Jack's wealthy father Peter, who recommends her as a soloist. Light opera star Helen Manning, who has helped Iris to cultivate her voice, quarrels with her theatrical manager, and Iris is offered her position.

During a jewelry-store holdup, 6-year-old Millicent Hawthorne, the neglected daughter of a wealthy socialite, falls on her head and is carried home to be reared by Mother Gumpf, the leader of the thieves. The fall cost Millicent her memory, but at night she dreams of her former high-society existence, while during the day she works for Gumpf as a pickpocket and later becomes a cabaret dancer. A friend of the Hawthornes sees Millicent perform, recognizes her, and reports back to Mrs. Hawthorne, who has vowed to be a devoted mother should she ever find her daughter. Finally, after the Hawthornes rescue Millicent from Kraft, the lecherous cabaret manager, an operation restores her memory, and she delights in the love of her long-lost mother.