Bae Chang-ho

A simple and modest bachelor and film director Ha Sung Woo and a perfectionist interior coordinator Kim Soo In meet accidentally at a flea market. They are attracted to each other at first sight and begin to date. They quarrel often due to their personality differences but they confirm their love while they travel together to Chiri Mountain. But once Sung Woo wins Soo In's love, he begins to ignore her, which leads to their break up. However, they miss each other. Eventually Sung Woo waits outside Soo In's house one cold winter morning.

Lee Jong-se is a third-rate comedian who believes himself to be a creative genius. He desires nothing more than to be a movie director.

An old blacksmith discovers he shares a secret past with a troubled young woman he meets on the road in rural Korea.

South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.

A portrait of forgiveness, as an older blacksmith discovers he shares a secret past with a troubled young woman he meets on the road in rural Korea.