Sándor Halmágyi

This movie is about the love and protection of a man from another culture for the lowly horsemen of the the plains in Hungary during World War II.

In this somewhat uneven political satire, good revolutionaries have overthrown a totalitarian state riddled with corruption on all levels when a truly naive bureaucrat (Boguslaw Linda) is placed on a jury that will judge the results of a history competition. Once on the jury, the young bureaucrat starts looking into the past himself and gets embroiled in a labyrinth. The past may well be unclear because recent leaders have certain facts that need to be kept buried. Filmmaker Janos Kovacsi borrows characteristics from revolutions in the Eastern European block (1950s-1980s) to create this post-revolutionary society with an idealist commander (Ferenc Zenthe) meant to lead them. A clue as to what happens next lies in the opening scene -- the funeral of the commander who has given his life for his cause. Ironically, Kovacsi undoubtedly faced censorship on this film. That would not only account for some uneven narration, but it adds a dimension of reality to the topic at hand.

István, a király ("Stephen, the King") is a Hungarian rock opera written by Levente Szörényi (music) and János Bródy (lyrics), based on the life of Saint Stephen of Hungary. The storyline was based on the play Ezredforduló (Turn of the Millennium) by Miklós Boldizsár, who co-wrote the libretto. The opera was first staged in 1983 on an open-air stage in Budapest. This first performance was also made into a 1984 film, directed by Gábor Koltay, and its music released on an album. The musical became a smash hit and is still very popular in Hungary and among Hungarian minorities in neighboring countries.

An adult educator arrives in the small-town factory with loads of books, energy and a freshly received diploma. The honest young man with dreamy eyes humanises the life of the plant, in a way distributing himself among people.

The story of a childless Jewish couple in WWII-era Hungary who adopt a Hungarian boy and raise him with their values and traditions.

Polish Martin Gray recalls the Holocaust, New York prosperity, and losing his wife and family.

Firma and Nero make a blood pact on the roof of a parking garage to make sure their love is real, thus putting their own relationship and the world at risk.