Juan Barberini

Inès, a professional photographer, decides to complete a book she is working on before she gives birth to her first child. This photography project, related to the memories of her childhood, always brings her back to the same place: the family home in southern Argentina that shaped her youth and forged her character. It also contains the only photo Inès still has of her with her father, before he disappeared as a victim of the military dictatorship. This photo is the starting point of a jigsaw puzzle of fragmentary memories about the relationships Inès had with her mother and her brother.

A young couple. A luxurious hotel room. A wedding party.

Estocada

Paula goes through a night, trying hard to make something happen that is not happening to her. As she gets drunk in all the places she visits, she meets an ex-boyfriend, some friends who are not with her and Fernando. What was her threat, ends up being her treasure.

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.

A father and son, isolated in a dilapidated country house, try to survive a hellish summer. Between hunting days and campfire nights, the son begins to perceive a strange connection between his father and the nature that surrounds them. An ancestral secret is about to be revealed.

A group of friends order a pizza and have a philosophical talk about not paying for it.

In a small town near the mountains of Argentina, Juana tries to commit suicide but ends up in a coma instead, to the great pain of her daughter Marta. Her other daughter Mercedes comes from Buenos Aires but is less interested in her mother's condition than in possibly getting her money. Marta's husband has a great offer for a piece of land owned by Juana, but can't do anything while she is in a coma.

Taking a breather from the crisis of her marriage, a surgeon named Celina visits the country house of an old friend who she hasn't seen since their university days. When she gets there, she realizes that something is going on with Paula, her friend's step daughter. Soon she learns that Paula attempted suicide, but Celina is in no shape to help anyone, because she is fleeing a dark secret of her own and has come to the worst place of all possible places to save herself. In the limbo of this hellish little town, her ghosts are reborn, infecting everyone around her...

A musician decides to return to his hometown in the Pampas plains of Argentina to recover a guitar that belonged to his deceased mother, but in order to get it he will have to reconnect with his father, with whom he has been estranged for years.

A famous actor makes an appearance in an inland village accompanied by his friend. After waiting for ages for the car they're supposed to return in, they decide to walk back. They get lost but continue on their way through the countryside, towards the woods, with no direction. Not suspecting that they are already inside the Hot Zone.

Que miren

Las Horas de los Minutos

A couple must hold on to $100,000 for 24 hours as they wait to buy a house. As the time ticks by, the true nature of their love unravels.

Baltasar Espinosa, a medical student, accepts an invitation from his cousin to spend the summer at his estate. However, a torrential downpour floods the fields, leaving him stranded with the Gutre family, a group of laborers. During their isolation, Baltasar reads "The Gospel According to Mark" to them, leading to unexpected and profound consequences.

During a terrifying night in Buenos Aires, five urban legends unfold in the most surprising way possible. While a politician is accused of being responsible for an urban tragedy in which fifteen people died, in Buenos Aires various stories based on urban legends intersect.

In the Smug art world, innocence perishes. This is the discovery experienced firsthands by Penelope, a young woman who, after embarking on a series of insignificant relationships, arrives at a field of new experiences, some sort of moral abyss she will find herself trapped in more and more.

Two men meet in Barcelona and after spending a day together they realize that they have already met twenty years ago.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

Ezequiel, a sixteen-year-old gay teenager in his sexual awakening, meets a boy of twenty-one. They quickly start a relationship and the situation unravels unexpectedly.

Film in two cities divided by one river: Buenos Aires, Montevideo. Two cities divided by one story: the death of Francisco. One death divided in two parts: an investigation, an escape.

Delfina returns from New York to a small riverside town in the province of Buenos Aires. There she visits a tomb of an older woman and one of a younger woman, named Julia, who is identical to her.

Fernando, a naval officer, arrives in the city of Rosario to work on an oil tanker. But his move seems to conceal other motives.

Wake up in the morning. He feels bad. He brushes his teeth after vomiting. Record the house reviewing drawings, a model and a written photo that makes him smile. He returns it to the cork of old familiar images. Make breakfast for two. Waits.

El público

It’s the first day of shooting a low-budget independent film. Juan, the director, tries to shoot a sex scene with Malena and Julián, two inexperienced young actors. But he also secretly keeps the camera running in between takes, in an attempt to capture brief moments of intimacy. Hours go by and the scene doesn’t seem to come out right. Weariness, repetition, and communication problems pile up as Juan tries to convince the actress to show more of her body. Violence will emerge as the shooting crumbles.

Karakol

Agustín (32) returns to the city where he was born, after 6 years of absence, to watch the legal process in which he will be tried for the - supposedly - murder of his father and mother. Alone and in constant alert, he begins to experience acts of violence. Agobiado, he meets an enigmatic and unpredictable young woman who shows him other ways of experiencing isolation.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

In all the stories that Llinas presents to us here with his narrative flair, well-known from Extraordinary Stories, we see the same four actresses, but each time in different roles: Elisa Carricajo, Valeria Correa, Pilar Gamboa, Laura Paredes – we also see them grow and get older.

Carmen and Elena Iturrioz are sisters and partners in a laboratory inherited from their parents. Both carry out the cases that reach the laboratory, together with a team of collaborators. Each episode will stage a new story that arrives at the laboratory at the hands of characters seeking to find out their identity, recognize a son or a brother, gain access to an inheritance or identify a genetic disease, among others. they will reveal who they are; they will get closer to their own personal and family identity.