Steve Alaimo

Tim Ochopee, a shell-shocked Seminole Indian has just returned from a tour of Vietnam. He lives a peaceful life deep in the Everglades with his pet snake Stanley. Upon his return, he finds out his father has passed away. When he learns how he was killed, Tim lets Stanley and his brood loose on the people who've done him wrong, leading to a thrilling climax.

A stock car driver goes undercover as the wheel man for a motorcycle gang.

"What are you going to do now, loser?" With these words, the heroic cop confronts the villainous Daisy, a drug- runner who has killed Cubans, Coast Guards and police officers in his efforts to transport "grass and junk" into Florida. Daisy works with Acid, a useless junkie that kills and rapes an Indian woman, accidentally brings the police down on the group multiple times and spends half the movie shooting up, and Dum Dum, a violent pot-smoking Hispanic whose name derives from the bullets in his gun.

THE RECORD MAN is a uniquely American story of how a group of musical underdogs with raw talent and diverse backgrounds, led by the indefatigable determination of one man, Henry Stone, exported the music of Miami to the world. Before there was a “music business” there was Henry Stone, “The Record Man”. From distributing records out of his '48 Packard to establishing TK Records as the largest independent label of the 1970s, Henry had an ear for hits. His funky eight-track studio and chart topping family of artists including KC and the Sunshine Band, led to the original Miami Sound and birth of Disco. When his empire collapsed on a baseball field in Chicago in 1979, Henry didn’t miss a beat launching Miami Freestyle. Turning personal tragedy into an opportunity to empower others, through Henry Stone we witness the dramatic arc of the record business from inception through the digital age. With photographs unearthed after 40 years, THE RECORD MAN captures a forgotten musical history.

Savage! Sadistic! Thrill hungry! When it came to independent filmmaking in the sunshine state, William Grefé was the wildest of the wild! During the 1960s and '70s, the Miami-based producer/director transformed the darkest corners of the Florida swamps into his own personal backlot. From rampaging crocodiles possessed by an ancient Seminole witch doctor (DEATH CURSE OF TARTU) to a slithering serpent named STANLEY, William Grefé would grind out low-budget exploitation films for drive-ins and hardtops around the world. Now, without the benefit of cages or other protective devices, the untold story of Florida's most daring moviemaker comes to the screen...IN PSYCHEDELIC COLOR!

A making of documentary on the cult classic STANLEY.

American Bandstand was an American music-performance show that aired in various versions from 1952 to 1989 and was hosted from 1956 until its final season by Dick Clark, who also served as producer. The show featured teenagers dancing to Top 40 music introduced by Clark; at least one popular musical act—over the decades, running the gamut from Jerry Lee Lewis to Run DMC—would usually appear in person to lip-sync one of their latest singles. Freddy "Boom Boom" Cannon holds the record for most appearances at 110. The show's popularity helped Dick Clark become an American media mogul and inspired similar long-running music programs, such as Soul Train and Top of the Pops. Clark eventually assumed ownership of the program through his Dick Clark Productions company.