André Arend van de Noord

Female mistress and male slave caught in a circle of tension.

Leon Mortier, a wealthy publisher, whilst driving through the forest one day, stops when he sees Lulu walking down the long narrow road. She gets into the car. Leon is amused and intrigued by her. When he pulls off, suddenly out of nowhere a man appears in front of the car and Leon accidentally hits him. He decides to take them both home to recover. Leon falls madly in love with Lulu. Both Lulu and the man stay on with him in the house. Lulu's behavior is unpredictable. Leon becomes suspicious and paranoid about her. As he begins to suspect that his friends are being unfaithful with Lulu, he decides to throw a dinner party with some of his closest friends. During the dinner he wants to confront them with their infidelity and expel them all from his life with Lulu. But when he discovers his son in the arms of Lulu, he decides also to get rid of her, a plan which backfires in a most unexpected way.

A modern fairytale about ordinary feelings and extraordinary events. Aafke and Thalia are both 30 years old when they meet each other in a shoe shop. They both return there after having accidentally left the shop with each other’s new shoes. They spontaneously decide to trade lives with each other for 24 hours. Both are frustrated with their own lives and looking for the greener grass on the other side of the fence - only to arrive at the conclusion that the grass is always greener until you see it from close by…

English-language adaptation of Albert Cohen's epic Swiss tale of a tortured love affair between a high-ranking Jewish official and the Protestant wife of one of his employees.

A short crime thriller about the young crook Rick who receives an apparent simple task from his boss that changes into a grim test of his loyalty.

"Love is the only thing subject to negotiation in feature film debut which betrays admiration for the formal rigidity of Straub and Zwartjes." "The film, KYODAI MAKES THE BIG TIME, caused a commotion in the Netherlands when it won the Golden Calf for Best Film (the Dutch Oscar equivalent). The film went on to win the Jozef Von Sternberg Prize For Innovative Narrative Structure at the Mannheim Film Festival." "KYODAI MAKES THE BIG TIME – What was the public’s reaction to this? Your first film – is it like your first time having sex? Which I guess is a subjective question, but I’m thinking experimental, unnerving, liberating, a learning experience, a humbling experience, leaving you wanting more ? SEX SHOULD ALWAYS BE LIKE YOU'RE HAVING SEX FOR THE FIRST TIME."

A security agent at an investment bank uncovers espionage that is linked to his girlfriend's murder. He vows to seek revenge on those responsible.

In 1990s Amsterdam, Loe and Bob are in a relationship, but wanting different things. Loe is a singer who likes to party and who is also engaged in migrant support. Bob is a lawyer focused on his career. As the film progresses, the tensions in the relationship become exposed.

This adventurous feature film is a sequel to Paul Verhoeven's legendary youth series from 1969. In this modern film version - the Middle Ages are more imaginative and larded with anachronistic jokes - the story revolves around Floris (grandson of Rutger Hauer's character from the series), a peace-loving bloke whose father despises him because he refuses to carry on the family tradition of stout-hearted knights defending freedom: Floris is an actor. To prove to his father that he can still be a hero, he helps him search for a missing sacred relic with special powers. This is the last hope for the Duke of Burgundy, his father's boss, to eliminate the mean Duchess of Gelre. Along with his oriental girlfriend Pi, Floris goes through some perilous moments when he enters into battle with the duchess and her stooges Van Rossum jr., Kleine Pier jr. and Sergeant jr..

A young Amsterdam lawyer seems to be doing well, but occasionally he is overwhelmed by an unstoppable need for booze. During one of his delirious episodes, he witnesses the death of a squatter at a police station. Worried about his career, he hesitates to speak out.