Liat Glick

They were four friends in heart and soul. Blood Brothers that were that were bound together by their army experience. They were good people and decent citizens. They had love, careers, hopes, a future - but they wanted more. And they wanted to commit the perfect crime...

Eli is a 32 year old man who has problems with relationships with women. Hagar is a surrogate, an alternative partner for practical, sexual therapy. They meet once a week and practice a relationship and intimacy in laboratory conditions. The fictitious relationship between them exposes them both physically and emotionally and brings to surface repressed fears from the real world. The changes Eli goes through during the therapy, along with the secrets revealed, not only shake his own life, but also the life of his family. Between clinic walls, due to an "artificial" process, Eli learns how to love for the first time.

Efrat, Dafna and Abigail are three young women who are neighbors in Tel Aviv, Israel. One night the will of their own destiny. A taxi driver picks Abigail accidentally mistaking Dafna and leads to a feature film. A Dafna, also mistakenly comes for the blind date of Efrat and spend a romantic night with this guy. Efrat, meanwhile, is involved in an investigation. Nothing will be as before.

Once there was a girl Noa has unconventional relationships with her doctor, with her neighbor and with a young soldier. Sleepless, she wanders around, trying to find her place in the world, willing to do anything to get some warm attention.

Israeli short films mini-series.

Told through a looping, non-linear narrative from each of the characters' points of view, the film reconstructs the stories of a Yugoslav hit man, his former lover and her police officer boyfriend, as their paths cross in New York.

Life is made of repeatable stories, accounts and questions. Birth and death, joy and sickness, youth and old age. In ‘Clinging’ Liat Glick focuses the camera on herself to tell a tender story about a trio made of a mature 47-year-old daughter without a partner or children, her mother and Natasha’s beloved aging dog. This subtle cinema, which applies semi-documentary means, focuses on the woman, her concerns and feelings. It is endearing with its authenticity and fairness revealing the most delicate sphere of the protagonist’s life. It remains close to a human without falling into any radicalism.