Serpil Turhan

Thomas Arslan's second feature film and part of his Berlin-trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the every day life, domestic conflicts, dreams and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district.

A day in the life of the 21 years old Deniz, who aims to become an actress and makes her living by dubbing movies. After she has split with her old boyfriend she gets to know Diego and spends the evening with him.

A long-separated German mother and her half-Turkish daughter are reconciled in a splendidly serene dramatic comedy.

The film is set in a modern day 'Berlin Republic' liberated from all irrelevancies. It's about artistic production, the creative industries and above all film and cinema - a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips.

Dentist Sue and the philosophy professor Anton have been leading a seemingly intact life, juggling careers and a family with four children. Until one day, however, when their 18 year-old son Thomas has a breakdown. Thomas' situation threatens the stability of the family.

Danger and Kaspar are graffiti artists who have each been ejected from their respective crews. They decide to work on a project in honor of one of their deceased brethren.

A long-running German television series about a two-man team of highway police, originally set in Berlin and later in North Rhine-Westphalia.