Ovidiu Crișan

In the fifties, the leaders of the Greek-Catholic church are arrested and sent to the Sighet prison.The soviet regime has banned any church except the orthodox. Tortured and dehumanized, the only choices are conversion or death. The bishop Iuliu Hossu stands up in front of the torturers and through courage and stature becomes an inspiration for the other priests.

A young novice sneaks out of her convent to deal with a matter that cannot be delayed.

Aron, a 5-year-old boy, sets together with his worried father on a journey at the end of which he wishes, like the superheroes in the comic books, to save his mother suffering from a heart condition.

A few days before Christmas, having quit his job in Germany, Matthias returns to his Transylvanian village. He wishes to involve himself more in the education of his son, Rudi, left for too long in the care of his mother, Ana, and to rid him of the unresolved fears that have gripped him. He’s also eager to see his ex-lover Csilla and preoccupied about his old father, Otto. When a few new workers are hired at the small factory that Csilla manages, the peace of the community is disturbed, underlying fears grip the adults, and frustrations, conflicts and passions erupt through the thin sliver of apparent understanding and calm.

Fall of 1944. World War 2 is closing to an end. Nicu, a teenager, embarks on a journey through the wilderness of the Apuseni Mountains, trying to save the horses of his family.

Set on the background of economical migration, the film tells the story of Clara, a divorced Romanian mother in her thirties who needs to work abroad in Ulm, a German Town by the Danube river. She is as a babysitter for a little girl that is very fond of. At the same time, she had to leave behind her own 12 years old son who is now in the care of his grandfather. They live in a poor Romanian village also by the Danube river. Feeling abandoned by his mother, the boy runs away from home in an attempt to reach his mother by traveling on a small boat upriver. In this context, Clara has to come back home and face the life she left behind.

Emigration is one of the most pronounced issues faced by the post-communist Romanian society. With a script inspired from the life of the Romanian community in Cyprus, the film tells a painful, personal story in a world in which we use only numbers to talk about emigration, prostitution and suffering, as an unfortunate statistic. Abused by her step father, then driven away from home, Eva, a Romanian teenager, becomes a victim of human trafficking. She ends up prostituting herself in Cyprus. Years later, the young woman creates her own web of relations and becomes a full-fledged "courtesan" for influential men: politicians, diplomats, business people. Her life takes a dramatic turn when she is diagnosed with AIDS.

Sporadic gunshots echo among the ruins of a village which, though abandoned, is an objective of great import for the Romanian government. This forces two young men to lead a hard negotiation, both for the fate of the settlement and for their own future.

One worker in a bankrupt factory finds an unusual solution to save his co-workers from unemployment. If it doesn't work the factory will be privatized and sold to a French company planning to convert the plant into a snail cannery. Only 300 of the 3000 workers will keep their jobs.

Viorel, a quiet, upright tractor driver from a small town in west Romania meets Mocanu, a high profile politician campaigning for a seat in the European Parliament. Mocanu’s car has broken down nearby and Viorel and his wife welcome the politician into their humble home. Under investigation for corruption, Mocanu sees an opportunity and decides to stay with this modest family during the rest of the campaign, winning people’s hearts by posing as a common man next to his “old friend”, the honest, hard-working farmer. In return, Viorel will get a new tractor.