John A. Alonzo

A pregnant teen allows her mother to pass her secret baby off as her own.

When Navy pilot Dale Heath takes off, he doesn't expect his navigational equipment to fail and must adapt when it goes out along with his radio. Heading straight for a commercial jet piloted by Dick Barnett, whose plane is full of passengers, Heath can't tell which way to turn in order to avoid a catastrophe.

A scientist spills a new serum in his lab, accidentally inhales its fumes, and turns into a murderous monster who kills anyone he touches.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

In New Mexico, a Confederate veteran returns home to find his fiancée married to a Union soldier, his Yankee neighbors rallied against him and his property sold by the local banker who then hires a gunman to kill him.

An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.

A 52-minute documentary on "Scarface," both the making of the film and its reception.

A judge in a murder trial, believing the defendant is innocent, sets out to find the real killer.

A documentary about 'The Magnificent Seven'.

A Mexican gunslinger is injured trying to save his son and is put into prison. When he's released, he's got revenge on his mind.

Remake of "To Have and Have Not" based on Hemingway short story. Plot reset to early days of Cuban revolution. A charter boat skipper gets entangled in gunrunning scheme to get money to pay off debts. Sort of a sea-going film noir with bad girl, smarmy villain, and the "innocent" drawn into wrong side of law by circumstances.

Cinematographer John A. Alonzo was one of the driving creative forces in the resurgence of expressionistic American movies of the late 1960s and '70s. Director Axel Schill's documentary explores Alonzo's work on key films of that era and beyond. Clips from Chinatown, Scarface, Internal Affairs and other movies accompany interviews with stars such as Richard Dreyfuss, Sally Field and contemporary cinematographer Haskell Wexler.

The story of a serial killer known as "Georgie Porgie." The Chicago turnpike is threatened over a three-day period as the police try to catch him by blocking the whole area.

The Gallant Men is a 1962–1963 ABC television series which depicted an infantry company of American soldiers fighting their way through Italy in World War II.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Cheyenne is an American western television series of 108 black-and-white episodes broadcast on ABC from 1955 to 1963. The show was the first hour-long western, and in fact the first hour-long dramatic series of any kind, with continuing characters, to last more than one season. It was also the first series to be made by a major Hollywood film studio which did not derive from its established film properties, and the first of a long chain of Warner Brothers original series produced by William T. Orr.

Follows the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

Combat! is an American television program that originally aired on ABC from 1962 until 1967. The show covered the grim lives of a squad of American soldiers fighting the Germans in France during World War II. The program starred Rick Jason as platoon leader Second Lieutenant Gil Hanley and Vic Morrow as Sergeant "Chip" Saunders.

Samantha Stephens is a seemingly normal suburban housewife who also happens to be a genuine witch, with all the requisite magical powers. Her husband Darrin insists that Samantha keep her witchcraft under wraps, but situations invariably require her to indulge her powers while keeping her bothersome mother Endora at bay.

A series of unrelated stories containing drama, psychological thriller, fantasy, science fiction, suspense, and/or horror, often concluding with a macabre or unexpected twist.

The Wild Wild West is an American television series. Developed at a time when the television western was losing ground to the spy genre, this show was conceived by its creator, Michael Garrison, as "James Bond on horseback." Set during the administration of President Ulysses Grant, the series followed Secret Service agents James West and Artemus Gordon as they solved crimes, protected the President, and foiled the plans of megalomaniacal villains to take over all or part of the United States. The show also featured a number of fantasy elements, such as the technologically advanced devices used by the agents and their adversaries. The combination of the Victorian era time-frame and the use of Verne-esque style technology have inspired some to give the show credit for the origins of the steam punk subculture.

Kraft Suspense Theatre is an American anthology series that was telecast from 1963 to 1965 on NBC. Sponsored by Kraft Foods, it was seen three weeks out of every four and was pre-empted for Perry Como's Kraft Music Hall specials once monthly. Como's production company, Roncom Films, also produced Kraft Suspense Theatre. Writer, editor, critic and radio playwright Anthony Boucher served as consultant on the series. Later syndicated under the title Crisis, it was one of the few suspense series telecast in color at the time. While most of NBC's shows were in color then, all-color network line-ups did not become the norm until the 1966-67 season.

A continuation of the anthology series “Alfred Hitchcock Presents”, hosted by the master of suspense and featuring thrillers and mysteries.