Noel Miralles

A young woman recalls how her father (a fallen priest), her mother (a woman with a secret past) and her teenage sister returned with her to live in their ancestral home after the family business failed. She was plagued with mysterious problems of sleepwalking and began a romance with a young man who tried to cure her.

In the year 2050, the Philippines braces for the coming of the fiercest storm ever to hit the country. And as the wind and waters start to rage, poets are being murdered.

It is in the culture of the Filipinos that when a person dies, you can whisper and send your wishes to the dead. The film is about a family who happens to take care of their ailing mother / grandmother. They see this as a burden in their lives and they wait for her death so they could whisper their wishes.

Four high school friends hatch a plan for a farcical heist that sends them spiraling into a series of surreal events littered with clowns, fast food, and ‘rakenrol’, in an even more absurd nation of squalor and entertainment.

An intimate epic made with uncompromising and austere seriousness that patiently and methodically observes the collapse and hopeful revival of a poor farming clan, meant to symbolize a nation’s history spanning 1971 to 1987.

It is the year 2034 AD and Southeast Asia has been in the dark for the last three years, literally, because the sun hasn’t shone as a result of massive volcanic eruptions at the Celebes Sea in 2031. Madmen control countries, communities, enclaves and bubble cities. Cataclysmic epidemics razed over the continent. Millions have died and millions have left.

To this day, Ishmael Bernal's movie Himala is still in our town, in our world. This will be reflected in the broader perspective of the majority, of the surrounding events. Beliefs still lie in the truth. Consciousness is still dominant at the level of illusion. The naive, savage, cruel, and selfish politics still prevail.

With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III, inheritor of the hacienda and businesses of his powerful clan, agonizes on becoming the new feudal lord and capitulating with Marcos’ designs to control the Philippines. He is aware of his clan’s long history of violence; he knows the very violent history of his county; and he foresees a very violent future with the Marcos dictatorship.