Febo Mari

A film based on Gabriele D'Annunzio's novel The Flame. Pina Menichelli plays a vamp who ruins a painter's life just for the fun of it.

The life of Attila the Hun told in six chapters.

A woman and a mistress fight.

Directed by Dante Testa and Gino Zaccaria.

"Tigre Reale" (1916) was the film that consolidated Frau Menichelli's stardom, a film more than suitable for her performing skills and silent idiosyncrasy that any silent diva would kill to star in… In "Tigre Reale", Frau Menichelli performs the part of Frau Natka, a Russian countess with a troublesome past and an uncertain future. She was married to a revolutionary and the matrimony ended in tragedy. She likes to flirt with men but due to her traumatic sentimental past, she doesn't allow herself attachments. That is until she meets a young diplomat who will help her to make up her mind and exorcize her old sentimental traumas.

The great Italian opera composer recalls his eventful life on his deathbed: his childhood in Busseto, his studies in Milan, his first opera "Oberto, conte di San Bonifacio", the death of his wife and his children killed by smallpox.

Dame Eleonora Duse plays a poor woman who, incapable of raising and feed him, leaves her illegitimate son with foster parents. Before she leaves her boy, the woman gives to the child an amulet in order to protect him. The amulet will be the key to put him in connection with his old mother when the boy grows up.

Foreign spies steal the formula for a revolutionary explosive created by an Italian scientist and to decrypt the secret code they kidnap his secretary who knows about it.

Il conte di Bréchard

Assunta, a commoner of Naples, is scarred by her lover Michele for jealousy.

The model Fede loves the writer Arte, but he is enmeshed by the beautiful Femmina. Fede takes comfort in the Faun, a mythological creature who becomes animated from the stone sculpted by Arte. The love story with the Faun represents a return to a dreamt wildness impossible by now, for the modern man, to reach and maintain.

Compiled by The Museum of Modern Art Film Library in 1938, the film is a glimpse of the early 20th century’s finest stage performers— Gabrielle Réjane, Eleonora Duse, Sarah Bernhardt, and Minnie Maddern Fiske. The compliation contains excerpts from four films, adapted from four timeless stories: Madame Sans-Gêne (1911), Cenere (1916), La Dame aux Camélias (1912), and Vanity Fair (1915).