Jim Trainor

“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas

Simplistic drawings portray the myths and rituals of the ancient Moche civilization as interpreted by the filmmaker from the artwork on Moche pottery, inspired by Donnan McClelland's "Sex and Death."

A bat tells his story. He lives near a Mayan temple in a cave with bats of nine different pitches. His mother cares for him, teaching him to echo for worms. But all is not idyllic: his brother dies learning to fly; not everyone gets along (babies can be attacked by bats of other pitches). After three years, his sexual urge materializes, and he mates with many females. God speaks to him from time to time, giving solace and advice. Drinking water, finding worms, and enjoying sex bring happiness. But extinction may loom for his species, and regardless of his wish to live forever, death does await. - Written by jhailey